“…Sam stated his belief in unconditional freedom of speech, and Julia's concern for the free voice of Youth Art participants presents an element of risk (Ball 2016;Peters, 2003) which relates to Foucauldian parrhesia, since 'The parrhesiaste is always less powerful than the one with whom he speaks' (Foucault, 2001, p.18). In The Gallery the discourses which function as a regime of 'the truth' (Foucault 1980, p.131;Smith 2010) are not concerned with the reflections cast by Ofsted inspectors or the exam boards as with formal education, but they do seek to maintain the cultural balance of power, the 'status-quo'. The Gallery's rituals of regulation impress on the self -practitioner and young person, the image of the marketable face of the institution.…”