2006
DOI: 10.1080/10253860600633887
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Framing Power: The Case of the Boardroom

Abstract: Spaces in organisations are increasingly recognised as socially constructed places, where organisational power is experienced and signalled in multiple ways. One such ambiguously vocal space is the boardroom, where aesthetic knowledge, material culture, and organisational practice combine to frame a space which creates power through its history, its artefacts, and its organisational use. This paper uses Harvey's (1989) framework of material spatial practices, representations, and spaces of representation to ex… Show more

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Cited by 10 publications
(9 citation statements)
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“…Following Betts’ (2006, p. 161) study of corporate boardrooms, our research into these settings and the artefacts displayed within them placed considerable methodological emphasis on the ‘value of looking’. In practice, this meant drawing on methods of visual analysis (Acevedo, 2014; Berger, 1972; Rose, 2007), focusing on their content as well as context, including their framing, positioning and spatial organization.…”
Section: Making Memory: Organizational Memory Commemoration and Portmentioning
confidence: 99%
See 3 more Smart Citations
“…Following Betts’ (2006, p. 161) study of corporate boardrooms, our research into these settings and the artefacts displayed within them placed considerable methodological emphasis on the ‘value of looking’. In practice, this meant drawing on methods of visual analysis (Acevedo, 2014; Berger, 1972; Rose, 2007), focusing on their content as well as context, including their framing, positioning and spatial organization.…”
Section: Making Memory: Organizational Memory Commemoration and Portmentioning
confidence: 99%
“…6 These paintings appear to have been hung so that they could be viewed from several angles, but most obviously by looking up at them; they occupy an imposing, authoritative position (by our estimation, the lowest-hung one was at least eight feet from ground level). As Betts (2006, p. 162) notes in her account of commemorative portraits hung in corporate boardrooms, the positioning of these paintings brings together both the organizational status and the symbolic importance of the subjects. The portraits are to be looked up to; they demonstrate their continued authority over those they look down upon and their positioning means they are able to ‘keep an eye on the whole organization’.…”
Section: Commemorative Exclusions: Portraiture At Keele Hallmentioning
confidence: 99%
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“…A treatment of the intentions of organizational leaders and their architects that assumes that design elements will shape employees' and others' behaviours without according them agency of their own, and without considering the possibilities of voice or exit, along with loyalty (to borrow Hirschman's 1970 title), is, today, theoretically and intellectually untenable. As space commonly embodies relations of power, they, as well as possibilities of resistance to it, must also be engaged and theorized in organizational space studies (see Betts 2006).…”
Section: The Study Of Spatial Settings In Organizations: a Brief Topimentioning
confidence: 99%