Free network visible network

Boj, Clara; Díaz, Diego; Cheok, Adrian David; Xu, Ke; Liu, Wei

doi:10.1145/1178477.1178568

Cited by 3 publications

(2 citation statements)

References 0 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…[20]. Examples of interactive art using AR can be found in [21][22][23]. Although the interaction and gaming capabilities of AR are very appealing in order to create interactive art, AR can also be used for painting and sculpture in a more traditional way [24].…”

Section: Related Workmentioning

confidence: 99%

TinajAR: An Edutainment Augmented Reality Mirror for the Dissemination and Reinterpretation of Cultural Heritage

Martínez

Casas

Vidal-González

et al. 2018

MTI

View full text Add to dashboard Cite

The use of augmented reality (AR) in cultural heritage (CH) applications opens a whole set of possibilities, including the virtual transformation of CH elements. This paper presents TinajAR, a mirror-based AR application designed to serve both as an edutainment application in the field of CH and also as an artistic expression. As an edutainment application, TinajAR features a multi-marker video-based AR application designed to show virtual ceramic pieces and explain the pottery process through virtual avatars. As an artistic expression, TinajAR seeks to reinterpret an ancient type of cellar called calado, which was used in the past for storing wine in northern Spain. The reinterpretation consists in giving a different but meaningful use to the space. TinajAR was used by around 1800 people during a ceramics exhibition in La Rioja, Spain and was assessed at the satisfaction level with 56 users by means of a system usability scale, giving very satisfactory results.

show abstract

Section: Related Workmentioning

confidence: 99%

TinajAR: An Edutainment Augmented Reality Mirror for the Dissemination and Reinterpretation of Cultural Heritage

Martínez

Casas

Vidal-González

et al. 2018

MTI

View full text Add to dashboard Cite

show abstract

“…Through an HMD, users see and listen to a series of images and sounds superimposed on the real environment, feeling as if they are watching a movie in which they participate as active observers and in which the various virtual characters are directed to them. During the same year, the artistic piece Red Libre Red Visible (2004) was developed by artists Diego Díaz and Clara Boj [15,16] with the collaboration of computer scientists at the Mixed Reality Lab (Singapore). In this piece the AR environment was built in the urban space through the use of the MXRToolKit library [17], creating new landscapes in the public space through the visualization of the data flowing through digital networks.…”

Section: Related Workmentioning

confidence: 99%

When Augmented Reality Met Art: Lessons Learned from Researcher–Artist Interdisciplinary Work

Portalés

2018

MTI

View full text Add to dashboard Cite

Abstract:Over the last few years, Augmented Reality (AR) technology has quickly evolved and today there is commercial software and hardware that allow the creation of AR experiences. However, it might still be cumbersome to create rich AR experiences without a deep knowledge of the technology. Artists have collaborated with IT experts during the last few years in order to enhance artistic pieces embedding AR technology, leading to the emergence of interesting collaborations between artists and engineers, computer scientists, architects, etc. The resulting works can be referred as AR Art. However, the interdisciplinary work behind these collaborations is usually not addressed. The aim of this paper is to review some of the reported AR Art work since the AR term was first coined in 1990, focusing on collaborations between different disciplines, especially during the early years, where art and technology became one. Additionally, the author reports her own experience in contributing to AR Art from an interdisciplinary perspective.

show abstract