From atypical to paradigmatic? Artistic work in contemporary capitalist societies - Call for papers per sezione monografica del numero 157 (2) 2020

Casula, Clementina; Bertolini, Sônia Maria Marques Gomes; Bataille, Pierre; Perrenoud, Marc

doi:10.13140/rg.2.2.32829.49126

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2022

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“…El sector de les arts escèniques comparteix amb molts dominis artístics una alta dependència de les polítiques públiques i es considera avantguardista a l'hora d'experimentar processos de flexibilització dins del mercat laboral (Bataille, Casula, Bertolini, i Perrenoud, 2020;Menger, 1999). En un entorn laboral caracteritzat per dinàmiques informals i pel predomini d'activitats basades en projectes, els treballadors joves ocupen una posició cada vegada més vulnerable (Armano i Murgia, 2013;Bertolini, Moiso, i Unt, 2019;Hennekam i Bennett, 2017).…”

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Young actresses’ experiences of work in the Italian theatrical sector

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2022

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From the lifting of the ban on women from theatrical plays in mid-1600s England to the communicative impact of the #MeToo campaign, actresses’ presence on the stage has always had the capacity to profoundly question and shrink societal norms related to gender and cultural space. Using a qualitative methodology, the paper analyses young actresses’ experiences of work in the Italian performing arts’ sector, considering aesthetic and emotional aspects related to theatre work. The occupational environment, described through the sector’s specific datasets and surveys, appears to be characterised by marked power asymmetries in terms of age and gender which, in turn, is embedded in young actresses’ everyday bodily and emotional experiences of work.

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Section: Introduccióunclassified

Young actresses’ experiences of work in the Italian theatrical sector

Naclerio¹

2022

Debats

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From atypical to paradigmatic? Artistic work in contemporary capitalist societies - Call for papers per sezione monografica del numero 157 (2) 2020

Cited by 1 publication

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Young actresses’ experiences of work in the Italian theatrical sector

Young actresses’ experiences of work in the Italian theatrical sector

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