Search citation statements
Paper Sections
Citation Types
Year Published
Publication Types
Relationship
Authors
Journals
Kearnes, M.B. (2007) '(Re) making matter: design and selection.', Area., 39 (2). pp. 143-155. Further information on publisher's website:http://dx.doi.org/10.1111/j. 1475-4762.2007.00744.x Publisher's copyright statement:The denitive version is available at www.blackwell-synergy.com. Additional information:Use policyThe full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that:• a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders.Please consult the full DRO policy for further details. Here I focus particularly on widely articulated notions of nanotechnology as enabling, and depending upon, ‗control over structure of matter', and the ability to precisely 1992). ‗The future' is, strictly speaking, unknowable and yet by positing a continuum between the present and the future -in which the future is a product of individuation and differentiation -it is possible to construct a normative critique of nanotechnology.The non-consequentialist politics I develop here, therefore attempts to address normative dimensions of nanotechnology articulation in the present through a humble acknowledgement of our own ignorance in relation to the future (Luhmann 1992)
Kearnes, M.B. (2007) '(Re) making matter: design and selection.', Area., 39 (2). pp. 143-155. Further information on publisher's website:http://dx.doi.org/10.1111/j. 1475-4762.2007.00744.x Publisher's copyright statement:The denitive version is available at www.blackwell-synergy.com. Additional information:Use policyThe full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that:• a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders.Please consult the full DRO policy for further details. Here I focus particularly on widely articulated notions of nanotechnology as enabling, and depending upon, ‗control over structure of matter', and the ability to precisely 1992). ‗The future' is, strictly speaking, unknowable and yet by positing a continuum between the present and the future -in which the future is a product of individuation and differentiation -it is possible to construct a normative critique of nanotechnology.The non-consequentialist politics I develop here, therefore attempts to address normative dimensions of nanotechnology articulation in the present through a humble acknowledgement of our own ignorance in relation to the future (Luhmann 1992)
This essay reflects on the role of contemporary visual technologies, traditional museum practices, and aesthetics in the enactment and suspension of human rights. It applies Walter Benjamin’s discussion of “aura” and exhibition value to argue that analyzing human rights through the lens of museum arrangement and display practices enables a comparative look at multiple spheres of social activity where human bodies are staged and made legible: war zones, residential environs, and the art world and its galleries. Such interdisciplinary focus helps show significant interconnections between military and artistic practices in sites of militarized, violent surveillance, creativity, and destruction and in sites of artistic production and circulation; it also demonstrates that aesthetic evaluation and exhibition value are fundamental means through which human bodies acquire and lose rights. The article concludes with a discussion of the human rights potential of radical curation in the works of Vik Muniz, Kara Walker, and Ursula Biemann.
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.
customersupport@researchsolutions.com
10624 S. Eastern Ave., Ste. A-614
Henderson, NV 89052, USA
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Copyright © 2025 scite LLC. All rights reserved.
Made with 💙 for researchers
Part of the Research Solutions Family.