“…Previously cited examples, such as the notion that Codex Tchacos is a modern forgery, are maintained on equal grounds-that specifically the Gospel of Judas is too little of a genre match with other ancient exemplars, too much of a topical match with contemporary points of discussion, too little of a substantial match with other ancient variants of the Gnostic myth, too much of a literary match with the Secret Book of John, and containing some (but apparently too many) grammatical anomalies (Arthur, 2008). Even more excessively, as documented by Paananen (2012), the manuscript of Clement's Letter to Theodore was likewise deemed a modern forgery in 2005 with a breathtaking amount of individual details, ranging from its physical characteristics to palaeographic anomalies and beyond, in a manner that constructed a 'suspicious effect' that pushed a number of prominent scholars to preemptively call the case closed. The assessment of the depth of the 'suspicious effect', whether it is warranted or not, required in the latter case a laborious process to consider each of the details framed as suspicious according to some sort of sensible, constrained criteria, including considerations of statistical nature regarding the various absolute numbers presented as suspicious (Solow and Smith, 2009).…”