Fugitive Figurations of Chronic Disability: Reconstructing Black Disability Politics in Frances Harper’s Iola Leroy

Abstract

“Fugitive Figurations of Chronic Disability: Re-Constructing the Black Disability Politics in Frances Harper’s Iola Leroy” fills a gap in nineteenth-century Black disability histories that have overlooked questions of chronic disabilities. In Iola Leroy, Harper writes from the perspective of the chronically disabled and offers fugitive figurations that exceed, resist, and stand apart from nineteenth-century representations of white true women’s invalidism and racial pathologizations. Harper uses Iola’s and other characters’ chronic debilities as a social location for imagining an alternative Black epistemology of the chronic with its own “phraseology” to testify to the inseparability of racial and disability justice as a part of Black freedom struggles. As part of its fugitive figurations of chronic disabilities, Iola Leroy also unbinds Black bodies and minds from a disciplinary individualistic productive capitalist time; and it centers an inclusive postbellum Black community of collective mutual care that exposes the limitations of a liberal (white) sentimental politics of sympathy. Harper’s fugitive figurations of chronic disability in Iola Leroy raise important questions about the methods critics use to recover Black disability in nineteenth-century US literature, methods which too often mine for present-day models of disabled medical verisimilitude and visibility rather than excavating the alternative figurations that Black writers such as Harper employed as part of twinned anti-ableist and anti-racist liberation and care practice.