2011
DOI: 10.1111/j.1467-9213.2011.00020.x
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Functional Beauty, Architecture, And Morality: A Beautiful Konzentrationslager?

Abstract: Some works of architecture have remarkable aesthetic value. According to certain philosophers, part of this value derives from the appearance of such constructions to fulfil the function for which they were built. I argue that one way of understanding the connection between function and aesthetic value resides in the concept of functional beauty. I analyse a number of recent accounts of this notion, then offer a better way of understanding it. I then focus my attention on the relation between aesthetic and mor… Show more

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Cited by 11 publications
(8 citation statements)
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“…11 This has proved to be a major obstacle for clarifying the notion of function throughout technology, leading to its being replaced by 'use', as suggested in a recent presentation by Christoph 11 Recent and extensive treatments of the divergence of intended and actual use of artefacts from a philosophy-of-technology perspective, defending opposing positions, can be found in and . The fi rst two of our examples are discussed by Sauchelli ( 2012 ) and Priemus and Kroes ( 2008 ), resp. ; the third is ubiquitous in the literature on the functions of artefacts.…”
Section: The Notion Of Usementioning
confidence: 99%
“…11 This has proved to be a major obstacle for clarifying the notion of function throughout technology, leading to its being replaced by 'use', as suggested in a recent presentation by Christoph 11 Recent and extensive treatments of the divergence of intended and actual use of artefacts from a philosophy-of-technology perspective, defending opposing positions, can be found in and . The fi rst two of our examples are discussed by Sauchelli ( 2012 ) and Priemus and Kroes ( 2008 ), resp. ; the third is ubiquitous in the literature on the functions of artefacts.…”
Section: The Notion Of Usementioning
confidence: 99%
“…A far more popular family of theories is artistic contextualism, the main point of which is that the connection between artistic value and moral value, when present and relevant, is not systematic in the sense that it is not always true that a work having a defective moral character is thereby less valuable as a work of art. This last claim does not rule out the possibility that certain works are so morally repulsive that their immorality constitutes an aesthetic or artistic switch off (see Sauchelli 2012b).…”
Section: Contextualismmentioning
confidence: 99%
“…This claim could be achieved within the quality of design elements in terms of shapes, colours, lines, and so on [36]. Thus, the next section will discuss the importance of understanding the pattern and its layers as part of the creative design process in nature and architecture.…”
Section: Functional Beautymentioning
confidence: 99%