Salient sounds such as those created by drumming can serve as means of nonvocal acoustic communication in addition to vocal sounds. Despite the ubiquity of drumming across human cultures, its origins and the brain regions specialized in processing such signals remain unexplored. Here, we report that an important animal model for vocal communication, the macaque monkey, also displays drumming behavior, and we exploit this finding to show that vocal and nonvocal communication sounds are represented by overlapping networks in the brain's temporal lobe. Observing social macaque groups, we found that these animals use artificial objects to produce salient periodic sounds, similar to acoustic gestures. Behavioral tests confirmed that these drumming sounds attract the attention of listening monkeys similarly as conspecific vocalizations. Furthermore, in a preferential looking experiment, drumming sounds influenced the way monkeys viewed their conspecifics, suggesting that drumming serves as a multimodal signal of social dominance. Finally, by using high-resolution functional imaging we identified those brain regions preferentially activated by drumming sounds or by vocalizations and found that the representations of both these communication sounds overlap in caudal auditory cortex and the amygdala. The similar behavioral responses to drumming and vocal sounds, and their shared neural representation, suggest a common origin of primate vocal and nonvocal communication systems and support the notion of a gestural origin of speech and music.gestures ͉ speech ͉ temporal lobe S ocial living requires effective means of expression and many species communicate by using sounds. Communication sounds can be as diverse as the methods used to produce them, covering a range of temporal rates and spectral frequencies, ranging from rattlesnake rattling and stork clapping to complex human speech. Interestingly, some species communicate not only by using a variety of sounds produced by the same means, but also by using sounds produced by different means. Humans, for example, produce vocal sounds including speech and nonspeech utterances, as well as nonvocal sounds-also called acoustic gestures (1-4). Acoustic gestures encompass a range of sounds such as the discrete knocking on a door, rhythmic hand clapping, and even thumping a table in anger. Animals, too, create sounds akin to acoustic gestures in addition to their vocalizations; for example, some nonhuman primates create sounds by chest beating or hand clapping (5-7), and rodents create sounds by drumming their paws on the ground (8). The use of nonvocal acoustic signals for communication raises two fundamental questions: first whether the same brain regions are specialized for the processing of vocal and nonvocal communication sounds; and second, whether vocal and nonvocal communication systems share a common evolutionary origin (2,3,(9)(10)(11)(12).Insights into the evolution of human communication systems can be revealed by comparative studies on closely related primate models, wh...