1983
DOI: 10.1115/1.3269099
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Fundamentals of Acoustics (3rd Ed.)

Abstract: Reviewed by H. Saunders Kensler and Frey have been "household" names in the world of acoustics for the past three decades. Many acousticians and engineers have been weaned and raised on their Fundamentals of Acoustics. The third edition rearranges the contents of the previous editions and puts them in the proper place. This new edition updates some features of acoustics and keeps the more fundamental aspects in its proper perspective. Among the newer phases of acoustics (some mentioned in this book) are noise … Show more

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Cited by 872 publications
(1,227 citation statements)
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“…In planar manipulation devices the gradients of the velocity in the z-direction are much greater than in the lateral directions due to the planar geometry 36 , hence the left side of equation (19) can be approximated as Meanwhile, using standard relations between density and pressure in linear acoustics 31 and then exploiting the harmonic nature of the excitation, the right hand side of equation (19) becomes Thus, equation (19) can be written Using this, the product ⁄ can be approximated as where the complex intensity, C x , is given by: 37 Thus the x component of the limiting velocity can be written According to Fahy 37 , the complex intensity (a harmonic representation of the real, instantaneous intensity, which is a function of time) can be decomposed into two parts: (i) the real part, called the active intensity, which gives the time average energy flow; and (ii) the imaginary part (the reactive intensity) which corresponds to local, oscillatory energy flows with zero time average. We see from equation 25 that the limiting velocity is proportional to the active intensity.…”
Section: Mechanism Of the In-plane Streaming Patternmentioning
confidence: 99%
“…In planar manipulation devices the gradients of the velocity in the z-direction are much greater than in the lateral directions due to the planar geometry 36 , hence the left side of equation (19) can be approximated as Meanwhile, using standard relations between density and pressure in linear acoustics 31 and then exploiting the harmonic nature of the excitation, the right hand side of equation (19) becomes Thus, equation (19) can be written Using this, the product ⁄ can be approximated as where the complex intensity, C x , is given by: 37 Thus the x component of the limiting velocity can be written According to Fahy 37 , the complex intensity (a harmonic representation of the real, instantaneous intensity, which is a function of time) can be decomposed into two parts: (i) the real part, called the active intensity, which gives the time average energy flow; and (ii) the imaginary part (the reactive intensity) which corresponds to local, oscillatory energy flows with zero time average. We see from equation 25 that the limiting velocity is proportional to the active intensity.…”
Section: Mechanism Of the In-plane Streaming Patternmentioning
confidence: 99%
“…The acoustic impedance, Z ðPa s m À3 ) can be related to an analogue electrical system in a similar way as voltage is related to sound pressure and current is related to particle or volume velocity. The specific acoustic impedance, z; of a material has the unit pressure/particle velocity ðPa sÞ and is very useful in calculations involving transmission and reflection of sound waves [13]. In the rest of this paper the term acoustic impedance is referring to the specific acoustic impedance.…”
Section: Acoustic Measurement Principlementioning
confidence: 99%
“…donde τ es el coeficiente de transmisiσn sonora, que es propio de cada material o medio de propagación, definido como τ = W t /W i , donde W t y W i son las potencias acústicas transmitida e incidente respectivamente [4,15]. En el montaje propuesto en este trabajo se emplea una cámara anecoica, que se caracteriza por no tener eco y presentar pocas reflexiones en su interior.…”
Section: Marco Teóricounclassified
“…Los sonómetros empleados en este trabajo son integradores, es decir que se pueden ajustar en niveles de ponderación determinados. Dichas curvas de ponderación son redes de filtrado en el aparato que dan a cada frecuencia un "peso" determinado, el cual está relacionado a la sensibilidad del oído humano a dichas frecuencias [3,15].…”
Section: Montaje Experimentalunclassified