The country house is often seen as a key site for the consumption of luxury goods: a place where no expense was spared to make a very public statement of the wealth, taste and connoisseurship of the owner. 1 Today the resulting material culture of the country house often seems permanent -a priceless collection uniquely associated with a particular place; yet the reality was very different, with the nature and arrangement of furniture, paintings, books, tableware and so on being in constant flux. New goods came into the house as fashion or fortune dictated, whilst others were removed to less public rooms; put into storage or disposed of altogether. One key mechanism by which luxury goods, amongst others, left the country house was via public auction, which normally took place at the house itself. 2 This draws the country house firmly into wider processes and debates concerning the recycling of goods and the second-hand trade. These are often seen as being associated with poverty and supply-side inadequacies: goods were recycled amongst needy citizens or down-cycled from wealthier to poorer sections of society. 3 However, there is plenty of evidence that recycling formed an important activity within prosperous and even elite households: clothes were mended, curtains adjusted for hanging elsewhere and garments taken apart to make bags or line drawers. Indeed, such practices were seen as central to thrifty huswifery and 'good Christian stewardship' which had long been central to notions of good housekeeping. Other items were bequeathed or gifted to friends or family members and were thus recycled between generations and households. Many wealthier households also engaged in commercial recycling, actively seeking out second-hand goods, especially at the house sales of their departed neighbours and peers. At these