Georg Böhm's Keyboard Music: Questions of Authorship and Connections with the Music of J. S. Bach

Dirksen, Pieter

doi:10.22513/bach.48-49.2-1.0093

Bach

2018

DOI: 10.22513/bach.48-49.2-1.0093

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Georg Böhm's Keyboard Music: Questions of Authorship and Connections with the Music of J. S. Bach

Pieter Dirksen¹

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2019

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West European and American Branches of Bachology: Agreement and Disagreement

Svistunenko¹,

Conservatoire²

2019

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The article examines inherent relations of the German, British and American branches of Bachology. For the first time the author summarizes the findings of the English-speaking (British and American) Bach scholars from the beginning of the XX century till nowadays. The paper describes different aspects of polemics on the problems of authorship, chronology, symbolism and pitch in the composer’s works. The study contains information on the American Bach Society, scientific periodicals (“Bach Perspectives”, “Bach: Journal of the Riemenschneider Bach Institute”, “Bach Notes” bulletin) and modern reference literature on Bachology.

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West European and American Branches of Bachology: Agreement and Disagreement

Svistunenko¹,

Conservatoire²

2019

Manuscript

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show abstract

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Georg Böhm's Keyboard Music: Questions of Authorship and Connections with the Music of J. S. Bach

Cited by 1 publication

References 0 publications

West European and American Branches of Bachology: Agreement and Disagreement

West European and American Branches of Bachology: Agreement and Disagreement

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