George Eliot's <i>Quarry for Romola</i>

Andrew, Thompson

doi:10.5325/georelioghlstud.66.1-2.0005

Cited by 3 publications

(1 citation statement)

References 1 publication

Supporting

Mentioning

Contrasting

Order By: Relevance

“…Rather than writing the Italian romance Lewes intended, Eliot, after eighteen months of intensive research of materials in Italian, French, German, Latin, and Greek, wrote a realist novel on steroids (Henry 2012, p. 132; see also Thompson 2006Thompson , 2014Thompson , 2018. Her new book project, Romola (1862-1863), cost her more than red and swollen eyes.…”

Section: Introductionmentioning

confidence: 99%

Religion Counts: Faithful Realism and Historical Representation in George Eliot’s Romola

Bonfiglio

2024

Religions

View full text Add to dashboard Cite

This article explores the importance of faith in the Victorian historical novel, with a particular focus on George Eliot’s Romola (1862–1863), and rethinks past secularist approaches to the genre. Romola was arguably the most meticulously researched historical novel of the nineteenth century. Set in Florence from 1492 to 1498, the novel traces the rise and fall of the Dominican friar, Girolamo Savonarola, as he pursued the spiritual and political reform of the city, leading to his excommunication and martyrdom. Despite the religious setting of the novel, Eliot’s painstaking effort to imagine a realistic historical representation of Florentine society has often been approached in secular terms as a tour de force of the author’s humanist vision of a progressive march towards modernity. Building on recent work in postsecular studies, this essay rethinks the novel’s historical realism in terms of Christian faith. Centering on the spiritual journey of the protagonist, Romola de’ Bardi, the novel presents a faithful depiction of Renaissance Florence by imagining historical representation as an act of faith. Drawing on Jacques Derrida’s essay, “Faith and Knowledge”, the article analyzes how Eliot frames the significance of the novel’s historical representation as an act of faith that one’s life is bound meaningfully to those of others.

show abstract

Section: Introductionmentioning

confidence: 99%