2014
DOI: 10.1016/j.specom.2013.09.008
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Gesture and speech in interaction: An overview

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Cited by 363 publications
(353 citation statements)
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References 97 publications
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“…Whenever the annotator doubted on this classification, a conservative criterion was used, meaning that utterances were coded as not being accompanied by a head gesture. The types of head movements that were included in the analyses were head nods (following Poggi et al, 2010, a head nod was any vertical head movement in which the head, after a slight tilt up, bends downward and then goes back to its starting point), upward movements (a head movement directed upward in the opposite direction from nodding), and head tilts (a head inclination or sideward movement) (see Wagner et al, 2014, for a complete overview of the head gesture forms). All selected sentences had the form of verb þ article þ noun/ adjective (the article being optional), as in the statement Porta barret "(S)he has a hat.…”
Section: Codingmentioning
confidence: 99%
See 1 more Smart Citation
“…Whenever the annotator doubted on this classification, a conservative criterion was used, meaning that utterances were coded as not being accompanied by a head gesture. The types of head movements that were included in the analyses were head nods (following Poggi et al, 2010, a head nod was any vertical head movement in which the head, after a slight tilt up, bends downward and then goes back to its starting point), upward movements (a head movement directed upward in the opposite direction from nodding), and head tilts (a head inclination or sideward movement) (see Wagner et al, 2014, for a complete overview of the head gesture forms). All selected sentences had the form of verb þ article þ noun/ adjective (the article being optional), as in the statement Porta barret "(S)he has a hat.…”
Section: Codingmentioning
confidence: 99%
“…Depending on the gesture and the way it is produced, this prominent part of the gesture can be either an interval, called "gesture stroke," or a peak in the gesture movement, called "gesture apex." Many studies have further investigated the specifics of this temporal alignment, revealing that gesture strokes and gesture apexes are aligned with stressed syllables in the speech stream (see Wagner et al, 2014, for a complete review). Interestingly, certain stressed syllables seem to attract more strongly the presence of co-speech gestures: gesture apexes (the peak of prominence in a gesture movement) are more frequently aligned with pitch-accented syllables and with focal pitch accents than with stressed syllables that have a lesser degree of prosodic emphasis (e.g., Alexanderson et al, 2013;De Ruiter, 1998;Ferre, 2014;Yasinnik et al, 2004).…”
Section: Introductionmentioning
confidence: 99%
“…Implications for models of speech and gesture production Over the years, various models of speech and gesture production have been proposed, including Krauss, Chen and Gottesman's (2000) Process model, Kita and Özyürek's (2003) Interface model, de Ruiter's (2000) Sketch model, and McNeill and Duncan's (2000) Growth Point theory (see e.g., Chu & Hagoort, 2014;Hostetter & Alibali, 2008;Wagner, Malisz, & Kopp, 2014, for recent comparisons and discussion). These models all seek to describe how speakers produce multimodal utterances and are concerned with issues such as the timing and integration of gesture and speech, and the role that gestures play in communication.…”
Section: On the Effects Of Visibilitymentioning
confidence: 99%
“…Besides the acoustic signal during speech, the visual information related to facial expressions, hand gesture and body posture contributes significantly to the intelligibility of the message being transmitted, and to the perception of the actual meaning of the message. In addition, as pointed out in a recent survey about the interaction between gesture and speech [1], the parallel use of these modalities gives the listener access to complementary information not present in the acoustic signal by itself. For instance, when the speaker says "The dog is this tall" and simultaneously indicates with his hands the height of the dog, an extra information is being provided.…”
Section: Introductionmentioning
confidence: 99%
“…A thorough overview of existing multimodal corpora and the challenges and limits involved in corpus building, can be found in [2] and [3]. As pointed out in [1], building a multimodal corpus requires to make decisions about several issues such as the number and gender of the participants, the modality of the recording (monologue from scripted text or free speech, dialogue), the number and characteristics of the recording devices (single camera, multicamera, microphones, motion capture systems, devices capable of capturing depth information, like Microsoft Kinect), the languages being used (single language, or multilingual), the signals to be captured (audio, facial expressions, hands and arms gestures, body posture), the words and sentences to be recorded in the case of scripted text monologues, etc. Most of these decisions are influenced by the particular application intended for the corpus.…”
Section: Introductionmentioning
confidence: 99%