Getting to the Underbelly: Phenomenology &amp; Art Therapy Supervision

Carpendale, Monica

doi:10.1080/08322473.2002.11434758

Cited by 5 publications

(2 citation statements)

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“…Our crafting skills and experiences are part of these mental processes of which aesthetic pleasure is a vital component. This Batesonian thinking overlaps with the phenomenological perspective (Morris 1970;Carpendale 2002;Whitehead 2003; see also conclusion). Here we arrive at the point where Lao Tzu mentions: 'The Unspeakable is eternal and is not to be spoken of in words'.…”

Section: Franz Boas and Gregory Bateson: Connectedness In Gracementioning

confidence: 77%

“…The context (mise en scène) of my workshop 'luxated' (dislocated) everyday experience and opened doors to arts and crafts impulses into MIND. A process of bodily remembering sets in, while several barriers during the making process are overcome (Carpendale 2002). 'The creative act has its origins in the givenness of consciousness' (Whitehead 2003).…”

Section: Discussionmentioning

confidence: 99%

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Beauty and Grace in Making Artifacts: An Anthropological Gaze Upon Crafting in the World

Bekkum¹

2018

Crafting in the World

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In this paper I follow the US 'artifact' instead of the British spelling 'artefact'. This makes the concept etymologically more congruent with the terms artisan and artisanal. In these terms human faculties of arts and crafts are (still) together. I introduce concepts like 'arts and crafting' and 'arts and crafts impulse' (ACI) to overcome the European-bound dualism between 'artists', 'artisans' and 'craftsmen'. This is also to denote the ancient continuity of the 'contextual universality' of this human faculty. The names and cases of the real persons are changed to respect and protect their privacy. D. van Bekkum (*) Artisan, Anthropologist, Group Therapist,

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Section: Franz Boas and Gregory Bateson: Connectedness In Gracementioning

confidence: 77%

Section: Discussionmentioning

confidence: 99%