Ghosts of the Popular: The Hidden Years Music Archive and the Interstices of South African Popular Music History

Lambrechts, Lizabe; Merwe, Schalk Van der

doi:10.1111/jpcu.12975

Cited by 3 publications

(2 citation statements)

References 14 publications

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“…The musical culture of the Central Plains, as a mirror reflecting the cultural development of the region, can be seen in such opera forms as Wan Bang, Huai Bang, Sipingtong, Dapingtong, Qu Opera, and Yu Opera, as well as the colorful and profound connotations in such musical forms as the Zhongzhou Zheng School, the Xuchang Chip Music, and the Qinyang Suona [4]. It should be noted that the development of music culture always follows the footsteps of social and cultural dissemination on the basis of firm cultural confidence, in-depth exploration of the dissemination of music culture in the Central Plains, and exchange of innovative ways to promote the innovation and inheritance of music culture in the Central Plains, the development of the problem must be solved [5].…”

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confidence: 99%

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Research on the Influence of Cultural Confidence on the Diffusion and Exchange of Music Culture in the Central Plains-Based on Multiple Logistic Analysis

2024

Applied Mathematics and Nonlinear Sciences

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The music culture of the Central Plains is one of the very distinctive and representative national music cultures, and exploring the impact of cultural self-confidence on its dissemination helps to better propose development strategies. According to the construction principle, this paper determines the evaluation index system for the level of cultural self-confidence in music culture in the Central Plains, and a total of 30 evaluation indexes are selected. A multivariate logistic model is constructed to analyze influencing factors by incorporating relevant variable indicators into the statistical analysis. Based on the preliminary interpretation of the indicators, four research hypotheses on cultural self-confidence, communication, and exchange of music culture in the Central Plains are proposed. Sample screening is conducted for the primary audiences of music culture in the Central Plains, and valid data are collected, tested, and correlated. The results show that the overall cultural confidence of the sample is moderately high, with the mean values of the indicators ranging from 3.4086 to 4.0229, 3.1922 to 4.0282, 3.5224 to 3.9935, and 3.3414 to 3.9225, respectively. The multivariate logistic regression coefficient for confidence in the music culture of the Central Plains’ ability to communicate and disseminate is 1.3521, showing a significant positive correlation at the 0.01 level.

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Section: Introductionmentioning

confidence: 99%

“…Na Gu. Applied Mathematics and Nonlinear Sciences, 9(1) (2024)[1][2][3][4][5][6][7][8][9][10][11][12][13][14][15][16][17] …”

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confidence: 99%

Research on the Influence of Cultural Confidence on the Diffusion and Exchange of Music Culture in the Central Plains-Based on Multiple Logistic Analysis

2024

Applied Mathematics and Nonlinear Sciences

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Beyond the Static: Women, Voice and Radio Zulu in the 1970s and 1980s

Gunner

2024

Journal of African Cultural Studies

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Research on the Multi-non-artistic presentation Form of Western Music History based on Weighted Function Algorithm

Zhao

2024

Applied Mathematics and Nonlinear Sciences

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Western music has an important influence on the development of modern music, and in the digital era, the artistic presentation form of Western music history needs to be processed and analyzed more intelligently. The study constructs a data mining model based on Western music history using hierarchical clustering and Quality Phrase mining to quantitatively and statistically analyze relevant studies of Western music history. The development of each music genre is explored by utilizing statistics on the number of musicians per genre and geographical distribution. Western music’s presentation can be explored by analyzing the number of sounds, types of sounds, and frequency of occurrence. During the 30 years from 1991 to 2020, the top three research volumes of Western music history in descending order are classical music history (259), music aesthetics (109), and modern music studies (100). The music genres with more than 300 musicians include Baroque, Classical, and Romantic, all of which have been developing for more than 200 years. From the 1600s to the 1960s, there was first an increase in the number of musicians in each genre and then a subsequent decrease in geographical distribution, with Classical being the most typical genre.

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Ghosts of the Popular: The Hidden Years Music Archive and the Interstices of South African Popular Music History

Cited by 3 publications

References 14 publications

Research on the Influence of Cultural Confidence on the Diffusion and Exchange of Music Culture in the Central Plains-Based on Multiple Logistic Analysis

Research on the Influence of Cultural Confidence on the Diffusion and Exchange of Music Culture in the Central Plains-Based on Multiple Logistic Analysis

Beyond the Static: Women, Voice and Radio Zulu in the 1970s and 1980s

Research on the Multi-non-artistic presentation Form of Western Music History based on Weighted Function Algorithm

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