2013
DOI: 10.4324/9780203958636
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Girls Make Media

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Cited by 82 publications
(71 citation statements)
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“…It follows feminist theorists who posit that women's autobiographies and the sharing of personal experience take precedence over generic political and social discourse, including that about a "collective" voice (Jayne Armstrong 2004). Indeed a focus on cyberactivism, which has at its core blogs, social media, and multimedia performance, echoes the third wave of feminism's focus on practices of cultural production (Leslie Heywood 2006;Mary Celeste Kearney 2006;Kristin Schilt & Elke Zobl 2008). Young Arabs created their own cyberactivist culture linked by their participation and activism in social media networks.…”
Section: Introductionmentioning
confidence: 99%
“…It follows feminist theorists who posit that women's autobiographies and the sharing of personal experience take precedence over generic political and social discourse, including that about a "collective" voice (Jayne Armstrong 2004). Indeed a focus on cyberactivism, which has at its core blogs, social media, and multimedia performance, echoes the third wave of feminism's focus on practices of cultural production (Leslie Heywood 2006;Mary Celeste Kearney 2006;Kristin Schilt & Elke Zobl 2008). Young Arabs created their own cyberactivist culture linked by their participation and activism in social media networks.…”
Section: Introductionmentioning
confidence: 99%
“…Noteworthy, in this context is the emergence of girls (media) studies, which focus on (gender) scripts embedded in media texts, produced by (teenage) girls. For a good overview of this research field, see Kearney (2006Kearney ( , 2011. 3.…”
Section: Conclusion and Discussionmentioning
confidence: 99%
“…Thus, riot grrrls not only encouraged girls to be media producers, but motivated girls to create alternative representations of girlhood that challenged those created by the commercial culture industries (Kearney 2006). Based upon these two characteristics of riot grrrl, we can see why the movement was likely appealing to Gevinson as a girl cultural producer who was often not taken seriously as a fashion blogger due to both her age and gender (Keller 2013).…”
Section: The Tavi Brand: Digital Media Entrepreneurship and Feminismmentioning
confidence: 99%
“…While scholars have noted the ways in which many girls of colour and those from lower socioeconomic status were excluded from riot grrrl 20 years ago (Kearney 2006), there has been little commentary on the ways in which Gevinson's race and class privilege allow her to perform identity -including a riot grrrl influenced feminist identity -in ways that other girls cannot do easily (Wald 1997;Kearney 2006).…”
Section: The Tavi Brand: Digital Media Entrepreneurship and Feminismmentioning
confidence: 99%