1989
DOI: 10.2307/1184055
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Gladys Reichard at the Frontiers of Navajo Culture

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Cited by 3 publications
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“…For centuries, these accounts have been branded as folklore and belong to the domain of the supernatural and the paranormal, but in recent years, their frequency and impact on the local populations have forced the authorities to investigate them, in collaboration with the native communities. Various researchers associated with The Navajo Nation, the independent government body that manages the Navajo reservation and maintains the records of the Navajo tribe, reports a history of documented cases 9 (Lyon, 2000).…”
Section: Anomalous Aerial Phenomena Abductions In the Modern Eramentioning
confidence: 99%
“…For centuries, these accounts have been branded as folklore and belong to the domain of the supernatural and the paranormal, but in recent years, their frequency and impact on the local populations have forced the authorities to investigate them, in collaboration with the native communities. Various researchers associated with The Navajo Nation, the independent government body that manages the Navajo reservation and maintains the records of the Navajo tribe, reports a history of documented cases 9 (Lyon, 2000).…”
Section: Anomalous Aerial Phenomena Abductions In the Modern Eramentioning
confidence: 99%
“…I posit that shifts in style and voice from one work to the next indicate a scholar struggling to forge a place, though not necessarily a voice, for herself at a particular moment in the history of anthropology. Others have written on the topic of Reichard and the gendered politics of anthropology (Lamphere, 1992;Lyon, 1989: 3). I will refer to those debates to the extent that they can inform and be informed by a reading of Reichard as a woman writing culture.…”
mentioning
confidence: 99%
“…The split between Spider Woman (1934) and Navajo Shepherd and Weaver (1936) points to the tensions, noted by Visweswaran (1988: 32), of a subjective/objective dichotomy prevalent in the writing of ethnography and centered in issues of credibility and gendered definitions of 'scholarly work'. Indeed, Spider Woman is often called an 'autobiographical account' (Lyon, 1989: 138) or a set of 'well-digested field notes, a sort of personal account of the trials of learning to weave interspersed with descriptions of family activitiesthe summer sheep dip, a trip to the Gallup Ceremonials, a tornado, a sing, and even sadly the death of Maria Antonia...' (Lamphere, 1992:93). Indeed, the relationship between autobiography and ethnology is at the core of a feminist reading of Reichard's narratives.…”
mentioning
confidence: 99%
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