2011
DOI: 10.1177/1012690211420202
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Globalization, corporate nationalism and Japanese cultural intermediaries: Representation ofbukatsuthrough Nike advertising at the global–local nexus

Abstract: This article examines the corporate re-imagining of 'the nation' by focusing on the representation of Japanese school sporting culture, bukatsu, through Nike advertising in Japan. Bukatsu serves an important site for the analysis of cultural globalization because it is located not only at the global-local nexus but also at the intersection of Japanese traditional principles, youth culture and sporting practice. Using a multiple-method approach including contextual and textual analyses, along with interviews wi… Show more

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Cited by 24 publications
(6 citation statements)
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“…Lastly, details of the representations in the commercials for Nike's Where is the Next? campaign were also negotiated with the Film Director and Partizan (production company) who carried out another encoding-oriented task in turning the two-dimensional script written by the Creatives into a three-dimensional format for film shooting (Kobayashi 2012b). This was also at the stage where the staff from Nike Japan made adjustments with respect to authentic representation, which will be explored further in the following section.…”
Section: Methodsmentioning
confidence: 99%
See 1 more Smart Citation
“…Lastly, details of the representations in the commercials for Nike's Where is the Next? campaign were also negotiated with the Film Director and Partizan (production company) who carried out another encoding-oriented task in turning the two-dimensional script written by the Creatives into a three-dimensional format for film shooting (Kobayashi 2012b). This was also at the stage where the staff from Nike Japan made adjustments with respect to authentic representation, which will be explored further in the following section.…”
Section: Methodsmentioning
confidence: 99%
“…Featherstone's emphasis on the role of cultural intermediaries in mediating production and consumption has been widely accepted and applied by a range of scholarly accounts on a variety of cultural workers including, but not limited to, fashion designers (Skov 2002), business managers and accountants (Negus 2002), bookshop workers (Wright 2005), public relations practitioners (Curtin and Gaither 2005;Hodges 2006), fashion buyers (Entwistle 2006), personal fitness trainers (Smith Maguire 2008), branding consultants (Moor 2008), journalists (Doane 2009;Ma 2006), arts administrators (Durrer and Miles 2009), television buyers (Kuipers 2012), marketing/advertising practitioners (Amis and Silk 2010;Cronin 2004;du Gay et al 1997;Gee and Jackson 2012;John and Jackson 2011;Kelly et al 2005;Kobayashi 2012aKobayashi , 2012bMcFall 2002;Moor 2012;Nixon 2003;Jackson 2008, 2010;Soar 2000Soar , 2002, wine promoters (Smith Maguire 2013), specialist advisors (Rojek 2014) and more recently diary-keepers (Perry et al 2015).…”
Section: Consumptionmentioning
confidence: 99%
“…The critical analysis in this article focuses on (1) how the cultural intermediaries from Conductor imagined and conceptualised female hockey fans as a target audience; (2) a comparative analysis between the creative strategies in the production of the ''Inside the Warrior'' campaign with characteristics of female narratives (e.g., soap operas) to attract a female audience; and (3) the accommodation of resistance to the stereotypical representations of gender in the ''Inside the Warrior'' campaign by the cultural intermediaries. Such an analysis aligns with the burgeoning body of literature on the cultural production of sports advertising that examines the role of advertising practitioners and other cultural intermediaries in mediating between producers and consumers (e.g., Gee, 2009;Gee & Jackson, 2012;Goldman & Papson, 1998;Jackson, Batty, & Scherer, 2001;Kobayashi, 2011Kobayashi, , 2012Scherer, Falcous, & Jackson, 2008;Scherer & Jackson, 2007, 2008a, 2008b. This study is not concerned with the actual work routines or labour processes of the cultural intermediaries, but ''the role [they] play in imagining and constituting specific (ideal) 'market segments' and incorporating them into advertising strategy and end-products (advertisements)'' (Cronin, 2004, p. 357).…”
mentioning
confidence: 86%
“…Although individual academic achievement becomes increasingly important and teachers tend to use lecture-style instruction in middle schools, the use of group work in students’ academic learning is still present (Ohishi, 2014; Schaub and Baker, 1991). Despite the continuity between primary and middle schools in Japan, club activities are a factor that differentiates primary and middle schools clearly (Cave, 2004; Kobayashi, 2012; LeTendre, 1999). According to one nationally representative questionnaire survey conducted by the Japanese Ministry of Education (1997), 91% of middle school students participate in club activities.…”
Section: Japanese Onto-pedagogy: a Brief Reconceptualization Of Japanmentioning
confidence: 99%