Globalization, or the logic of cultural hybridization: the case of the Korean wave

Ryoo, Woongjae

doi:10.1080/01292980902826427

Cited by 154 publications

(114 citation statements)

References 8 publications

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“…In other words, studies looking at Pansori from a diverse perspective and also discussing the way forward were most active during the period 2005-2009. This appears to be in the same vein as proposals put forward to actively encourage traditional cultural contents following the 'Korean Wave' which is also commonly referred to as 'Hallyu' [17]. The late 1990s to early 2000s had been the tipping point that launched its popularity around the globe.…”

Section: Distribution By Period Since 1990smentioning

confidence: 86%

Trends in Pansori Studies: 1990s Onwards

Choi¹,

Hh²

2017

Arts Social Sci J

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There are differing views on the origins of Pansori and its differing aspects depending on the objects of analysis and perspective. Various methods of interpretation and studies would be possible. The purpose of this study was to analyze 422 academic papers published by a pre-eminent academic journal on Pansori according to a number of different criteria by categorizing them both by time period and also by their subject matters. This study categorized trends of research conducted on Pansori between 1990 and 2014 into 7 categories. The most frequently studied topics include singing style of the performers portraying implicit rhythms and story texts and the way in which each school of Pansori has passed down its unique ways and methods. The key implication of this study is that the analysis of research trends on this topic would enable expansion of structured topics on traditional music as well as diversification of topics that could be studied further.

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Section: Distribution By Period Since 1990smentioning

confidence: 86%

Trends in Pansori Studies: 1990s Onwards

Choi¹,

Hh²

2017

Arts Social Sci J

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Section: Theoretical Approaches To the Korean Wavementioning

confidence: 99%

“…Thus, the Korean wave itself has become part of global cultural imperialism [3]. Korean wave is also deemed as a backlash or resilience to the homogenized culture dominated by Western political, economic, and cultural powers since it leads to significant transnational cultural flows at both global and regional levels [3][4] [26]. Globalization has also been questioned for failing to account for the unusual vigorous growth of the Korean wave among Asian neighboring regions, particularly in Japan, a country more powerful than Korea [5].…”

Section: Theoretical Approaches To the Korean Wavementioning

confidence: 99%

“…Global media is media that delivered (via satellite, cable, the Internet, DMB, and so forth) to an international audience. Many consider the rise and popularity of the Korean wave to be closely linked to the process of globalization [1][2][3][4]. Still being debated, though, is whether the Korean wave is a repeat of cultural imperialism or a new culture generated from an authentic locality encountering other cultures [4] [5].…”

Section: Introductionmentioning

confidence: 99%

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Investigating a Theoretical Background of the Consumption of Korean TV Programs in China: Focused on Globalism, Proximity, and Modernity

Kim¹,

He²

2016

The Journal of the Korea Contents Association

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The current study attempts to empirically identify a theoretical background that effectively explains Korean pop-culture consumption in the Asian Pacific region; particularly, in China. Specifically, this study investigates how globalism, proximity, and modernity, which have been suggested in literature as key theoretical backgrounds for the Korean wave, influence China's motivation to consume the Korean wave and its subsequent consumption of Korean TV programs (e.g., dramas, variety shows, etc.). The findings suggest that the motivation to consume the Korean wave is positively related to globalism and proximity. Modernity, however, is found to have a negative influence on the motivation to consume the Korean wave. That is, the more one holds international values, the more one perceives Korea as similar to China, and the more one holds traditional values, the more motivation one shows to consume the Korean wave. The study also finds that the motivation to consume the Korean wave has a significant impact on the consumption of Korean TV programs. In the revised model, the study suggests that proximity, followed by globalism, has the strongest positive relationship with motivation. Such a finding suggests that a proximity approach could serve as a better theoretical perspective to explain the phenomenon of the Korean wave in China. Regarding the relationships of the demographic/socio-economic variables and the motivation to consume the Korean wave, females, rather than males, the higher the family income one gains, and the lower education level one has had, the more motivation one will show to consume the Korean wave.■ keyword :|Korean Wave|China|Globalism|Proximity|Modernity|

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“…Bhabha (1994) fue el primero en utilizar este término biológico en el ámbito de la cultura y la política. En este sentido, la hibridez cultural puede definirse como la construcción de dinámicas de poder en las que se cuestiona la globalidad, negociadas por la localidad a través de desviaciones semióticas o simbólicas (Ryoo, 2009). …”

Section: Globalización E Hibridez De Productos Culturales Musicalesunclassified

lobalization of Cultural Products: A Webometric Analysis of Kpop in Spanish-Speaking Countries

Meza

Park

2015

redes

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Globalization, or the logic of cultural hybridization: the case of the Korean wave

Cited by 154 publications

References 8 publications

Trends in Pansori Studies: 1990s Onwards

Trends in Pansori Studies: 1990s Onwards

Investigating a Theoretical Background of the Consumption of Korean TV Programs in China: Focused on Globalism, Proximity, and Modernity

lobalization of Cultural Products: A Webometric Analysis of Kpop in Spanish-Speaking Countries

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