Handbuch Medien der Literatur

Dembeck, Till

doi:10.1515/9783110295573

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Audio Drama As Art1

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“…In view of the particularity of the radio play's semiotic constellation, the genre can offer a refreshingly new vantage point for the study of crossmedial and intermedial phenomena such as narrative, description, and dialogue. This becomes clear in the few studies that give the radio play its full due, e.g., the Handbuch Medien der Literatur (Binczek et al 2013), Nicole Mahne's Transmediale Erzähltheorie (2007) and Narrative and Media (Fultan et al 2005).…”

Section: Audio Drama As Artmentioning

confidence: 99%

Dialogue in Audiophonic Fiction

Bernaerts¹

2017

Dialogue Studies

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This chapter deals with the features of fictional dialogue in a narrative genre that relies exclusively on auditory signs. In particular, it examines the case of the radio play. Rather than hypothesizing about necessary conditions and fixed features, the chapter will describe the conventions, constraints and affordances of the audiophonic dialogue. The specificity of audiophonic dialogues will be illustrated in an analysis of radiophonic pieces adapted from two novels by Harry Mulisch, namely The Stone Bridal Bed and The Discovery of Heaven. The comparison with the literary source text will allow us to better perceive the differences and similarities between the textual and the aural, between the literary and the radiophonic dialogue.

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Section: Audio Drama As Artmentioning

confidence: 99%