2016
DOI: 10.4324/9781315586458
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Heavy Metal, Gender and Sexuality

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Cited by 60 publications
(2 citation statements)
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“…As one 29-year-old woman stated, “With my jacket, I can block out all the shit going on in the world. When I put it on, there’s no Brexit, no Trump, no coronavirus.” Heesch and Scott (2016) note that female heavy metal fans often have to work hard to gain respect from a male-dominated scene. For this reason, they may give preference to expressing musical, rather than sociopolitical knowledge, in their jacket choices.…”
Section: The “Modern” Jacketmentioning
confidence: 99%
“…As one 29-year-old woman stated, “With my jacket, I can block out all the shit going on in the world. When I put it on, there’s no Brexit, no Trump, no coronavirus.” Heesch and Scott (2016) note that female heavy metal fans often have to work hard to gain respect from a male-dominated scene. For this reason, they may give preference to expressing musical, rather than sociopolitical knowledge, in their jacket choices.…”
Section: The “Modern” Jacketmentioning
confidence: 99%
“…It is not surprising that the world of the music genre heavy metal has found the Arctic. Contrary to the often-narrated public perception locating heavy metal within a world of violence, death and devil worship and depicting it as youth subculture (Chaker 2014), heavy metal has evolved to be an artistic musical expression with a plethora of different subgenres, different themes, styles and modes of production while having generated its own field of studies: heavy metal studies (Bartosch 2011; Heesch and Höpflinger 2014). Anthropologist Sam Dunn summarised the different forms of heavy metal in the documentary Metal: a headbanger's journey (Dunn and McFadyen 2005) and the 12-episode series Metal evolution (Dunn and McFadyen 2011–2014).…”
Section: Introductionmentioning
confidence: 99%