“…Weirding ‘now echoes through popular culture’, (Noys, 2016; 250) evident in the emergence of cinema’s ‘Greek Weird Wave’ (Papanikolaou, 2020), the American Weird (Greve and Zappe, 2020), the Woke Weird (Shapiro, 2020), the Finnish Weird (Leinonen, 2017), the Black Weird (Dunning, 2020), as well as weird nature documentaries (see Ulstein, 2021b). Sperling (2017b; 159) has even issued a call for ‘a Newer, a Next Weird’ to keep apace with the rapidly changing nature of experience thus far in the 21st century.…”