2021
DOI: 10.1353/sub.2021.0020
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Heights They Should Never Have Scaled: Our (Weird) Planet

Abstract: In this article, I scrutinize the much-discussed "walrus scene" from Netflix's nature documentary Our Planet (2019) for its formal and thematic similarities to weird fiction. I argue that these similarities reveal tensions in how we conceptualize the environment, the human, and the nonhuman. By comparing the narrative strategies in the walrus scene to similar strategies in Jeff VanderMeer's Southern Reach trilogy (2014), I problematize the emergent crosstalk between the weird and the Anthropocene, and the ways… Show more

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Cited by 2 publications
(1 citation statement)
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“…Weirding ‘now echoes through popular culture’, (Noys, 2016; 250) evident in the emergence of cinema’s ‘Greek Weird Wave’ (Papanikolaou, 2020), the American Weird (Greve and Zappe, 2020), the Woke Weird (Shapiro, 2020), the Finnish Weird (Leinonen, 2017), the Black Weird (Dunning, 2020), as well as weird nature documentaries (see Ulstein, 2021b). Sperling (2017b; 159) has even issued a call for ‘a Newer, a Next Weird’ to keep apace with the rapidly changing nature of experience thus far in the 21st century.…”
Section: The Weird From Old To New: Differencementioning
confidence: 99%
“…Weirding ‘now echoes through popular culture’, (Noys, 2016; 250) evident in the emergence of cinema’s ‘Greek Weird Wave’ (Papanikolaou, 2020), the American Weird (Greve and Zappe, 2020), the Woke Weird (Shapiro, 2020), the Finnish Weird (Leinonen, 2017), the Black Weird (Dunning, 2020), as well as weird nature documentaries (see Ulstein, 2021b). Sperling (2017b; 159) has even issued a call for ‘a Newer, a Next Weird’ to keep apace with the rapidly changing nature of experience thus far in the 21st century.…”
Section: The Weird From Old To New: Differencementioning
confidence: 99%