Winckelmann and the Invention of Antiquity 2013
DOI: 10.1093/acprof:oso/9780199695843.003.0006
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Heyne, Winckelmann, and Altertumswissenschaft

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Cited by 3 publications
(4 citation statements)
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“…The discipline of classics has recently been the subject of engaging historiography, which I draw on here (Rebenich, 2021, Guthenke, 2020, Lanza and Ugolini, 2022, Harloe, 2013; see also Grafton, 1983, Momigliano, 1950, 1982. Debates concerning the varied histories of objectivity (Daston, 1992;Galison & Daston, 2010) and related conversations about impartiality (Daston, 2019;Murphy & Traninger, 2014) are clearly relevant to the investigation at hand.…”
Section: German Antiquity Studies As a Case In The Sociology Of Scien...mentioning
confidence: 99%
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“…The discipline of classics has recently been the subject of engaging historiography, which I draw on here (Rebenich, 2021, Guthenke, 2020, Lanza and Ugolini, 2022, Harloe, 2013; see also Grafton, 1983, Momigliano, 1950, 1982. Debates concerning the varied histories of objectivity (Daston, 1992;Galison & Daston, 2010) and related conversations about impartiality (Daston, 2019;Murphy & Traninger, 2014) are clearly relevant to the investigation at hand.…”
Section: German Antiquity Studies As a Case In The Sociology Of Scien...mentioning
confidence: 99%
“…He concluded that the poems were originally performed orally and shaped by later editors, who sought to "improve" rather than truthfully render the text, which they had found. The study of critical sources was less original than Wolf claimed: The originality of the work was contested by others, including his teacher Heyne at the time (Harloe, 2013). Anthony Grafton has shown that the work built on earlier baroque styles of learning and on critical biblical scholarship (Grafton, 1981, see also Trueper, 2020).…”
Section: The Invention Of Philology and The Autonomisation Of German ...mentioning
confidence: 99%
“…This rejection formed part of a broader disavowal of art history's antiquarian origins (Harloe, 2013) and had lasting consequences for the science of talismans. It still underlies the negative judgment that Ernst Gombrich, the twentieth-century art historian, passed on the Lapidary of Alfonso II (see Figure 2).…”
Section: The Intelligible Forms Of Ancient Poetsmentioning
confidence: 99%
“…W Clark (2006),Gierl (2012). undHarloe (2013). Über akademische Sammlungen als "contact zones", "boundary objects" und "epistemic things" sieheCollet und MacLeod (2016).…”
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