Research in tonality perception commonly references the correlation between scale-degree occurrence frequencies and probe-tone ratings of tonal stability. This corpus study compares frequency of occurrence with 3 other statistical cues of tonal emphasis: average scale-egree duration, percentage of scale-degree instances appearing on downbeats, and percentage of scale-degree instances appearing in phrase-final positions. Using a mixed linear model that accounts for membership in the diatonic scale and random effects at the melody level, Experiment 1 finds that all frequency-and non-frequencybased measures of tonal emphasis except duration are highly significant predictors of the tonal hierarchy, with scale membership explaining the most unique variance, followed by phrase-final position and frequency of occurrence, then metric placement. Experiment 2 demonstrates that controlling for scale membership greatly attenuates the relationship between occurrence frequencies and probe-tone ratings, with frequencies explaining only 7% of variance in the tonal hierarchy beyond scale membership. Experiment 3 shows that phrase-final position, metric placement, and frequency best differentiate the tonic from other scale degrees, with all other predictors failing to reach significance. Together, these results suggest that higher frequency counts correspond to a more general tendency for tonally stable scale degrees to be emphasized across multiple musical dimensions and that frequency of occurrence is not a uniquely informative cue of tonal emphasis.