2013
DOI: 10.1186/2193-1801-2-135
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High-multiple spontaneous otoacoustic emissions confirm theory of local tuned oscillators

Abstract: Understanding the origin of spontaneous otoacoustic emissions (SOAEs) in mammals has been a challenge for more than three decades. Right from the beginning two mutually exclusive concepts were explored. After 30 years this has now resulted in two well established but incompatible theories, the global standing-wave theory and the local oscillator theory. The outcome of this controversy will be important for our understanding of inner ear functions, because local tuned oscillators in the cochlea would indicate t… Show more

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Cited by 17 publications
(26 citation statements)
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“…Pre-exposure SOAE frequencies showed a bimodal distribution ( figure 4 b , dip statistic test for unimodality, dip=0.1, p =0) with maxima around 1.5 and 3 kHz, in line with previous studies [ 16 , 17 ]. A similar distribution was seen after the presentation of LF sound for permanent, bouncing SOAEs ( figure 4 c , dip statistic test for unimodality, dip=0.1, p =0).…”
Section: Resultssupporting
confidence: 90%
“…Pre-exposure SOAE frequencies showed a bimodal distribution ( figure 4 b , dip statistic test for unimodality, dip=0.1, p =0) with maxima around 1.5 and 3 kHz, in line with previous studies [ 16 , 17 ]. A similar distribution was seen after the presentation of LF sound for permanent, bouncing SOAEs ( figure 4 c , dip statistic test for unimodality, dip=0.1, p =0).…”
Section: Resultssupporting
confidence: 90%
“…Both the secondary peak and the ripples are of interest because sometimes fine-grained and periodic structure is observed in the cochlea, seen in the audiogram ( Elliott, 1958 ), basilar membrane measurements ( Olson, 2001 ; Rhode, 1971 ), and otoacoustic emissions ( Braun, 1997 ; Braun, 2013 ; Fruth, Jülicher & Lindner, 2014 ; Kemp & Chum, 1980 ; Lineton & Lutman, 2003 ).…”
Section: Discussionmentioning
confidence: 99%
“…Confining ourselves to Western music for now, the semitone is equal to 2 (1/12) or 1.059 on the equal tempered scale or 16/15 (1.067) in Just intonation. The presence in the cochlea of an approximation to a semitone has been pointed out by several researchers ( Bell, 2002 ; Blinowska et al, 2012 ; Braun, 1997 ; Braun, 2006 ; Braun, 2013 ), but in general the musical link has not been widely recognised. Perhaps the most-frequent ratio is merely coincidence ( D’Amato, 1988 ; Justus & Hutsler, 2005 )?…”
Section: Introductionmentioning
confidence: 99%