History, Memory, Performance

Abstract

Please respect intellectual property rightsThis material is copyright and its use is restricted by our standard site license terms and conditions (see http://www.palgraveconnect.com/pc/connect/info/terms_conditions.html). If you plan to copy, distribute or share in any format including, for the avoidance of doubt, posting on websites, you need the express prior permission of Palgrave Macmillan. To request permission please contact rights@palgrave.com.Hi s t o r y , Me mo r y , P e r f o r ma n c e D a v i d D e a n Y a n a Me e r z o n K a t h r y n P r i n c e Studies in International PerformancePublished in association with the International Federation of Theatre Research General Editors: Janelle Reinelt and Brian Singleton Culture and performance cross borders constantly, and not just the borders that define nations. In this new series, scholars of performance produce interactions between and among nations and cultures as well as genres, identities, and imaginations.Inter-national in the largest sense, the books collected in the Studies in International Performance series display a range of historical, theoretical, and critical approaches to the panoply of performances that make up the global surround. The series embraces 'Culture,' which is institutional as well as improvised, underground or alternate, and treats 'Performance' as either intercultural or transnational as well as intracultural within nations.