“…Following Benjamin, and in line with Arendt's representation of him, Sebald makes it his goal to return justice to the "tradition of the oppressed" by allowing the voices of the dead and silenced to interrupt the victor's triumphalist, self-justifying narrative of progress. 56 It is a perspective that often enough "casts the narrator and others in the role of the shipwrecked at sea, rather than as spectators of ruin" who merely observe the calamity from the safety of distant shores. 57 For some, moreover, Sebald's writing even evokes Kafka's "real survivor," or eigentlich Überlebende, in its representation of both author and protagonist as "the sole survivor," der einzige Überlebende, of an on-going catastrophe.…”