Homegrown reality: locally formatted Israeli programming and the global spread of format TV

Shahaf, Sharon

doi:10.1080/17510694.2014.892264

Cited by 2 publications

(4 citation statements)

References 13 publications

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“…Israeli TV is a small, secluded, creative industry located in the Middle East and produced in Hebrew, a language that most of the world can neither speak nor understand. In recent decades, it has become a prominent transnational TV producer and exporter (Rubin, 2018; Sela-Sheffy, 2017; Shahaf, 2014; Harlap, 2016). This recent recognition is a result of the evolution of the Israeli TV industry from a single public and government-controlled channel between the years 1968–1993 to a multi-channel TV market, with two public-commercial channels (Keshet 12 and Reshet 13), as well as a new, critically acclaimed public broadcasting TV channel (Kan 11), a satellite provider (YES) and a cable provider (HOT) (Lavie and Dhoest, 2015; Rubin, 2018).…”

Section: Introduction: Israel As An Exporter Of Quality Tv In the Age...mentioning

confidence: 99%

“…Israel’s TV industry, which was already established as an expert in producing low-budget, quality TV drama series (Lavie, 2015; Shahaf, 2014), became an immediate focus for SVOD platforms’ search for attractive TV content for both the local Israeli and the Anglo-American markets (Wayne, 2020). One such platform on which Israeli drama is particularly visible is Netflix (Wayne, 2020).…”

Section: Introduction: Israel As An Exporter Of Quality Tv In the Age...mentioning

confidence: 99%

“…Israel penetrated the global market as a prime exporter with the development and trade of television formats during the late 1990s and into the early 21st century (Shahaf, 2014). Initially, this trade was based on gameshows and reality TV (Shahaf, 2014). However, in recent decades original Israeli TV drama series have made inroads into the global market (Rubin, 2018: 21).…”

Section: Introduction: Israel As An Exporter Of Quality Tv In the Age...mentioning

confidence: 99%

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The constructed quality of Israeli TV on Netflix: The cases of Fauda and Shtisel

Lavie

2022

Critical Studies in Television: The International Journal of Te

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This study investigates how the concept of ‘quality TV’ is evolving in the age of streaming video on demand (SVOD) platforms, using reviews of two Israeli TV series on Netflix – Fauda and Shtisel. In accordance with Pierre Bourdieu’s view of journalistic reviewers as social agents and intermediaries with the power to enshrine cultural artifacts in an artistic canon, the study is based on a qualitative analysis of reviews of these two series published on major Anglo-American journalistic platforms. The analysis shows how the reviewers take part in constructing the Netflix brand of ‘a ‘foreign-language quality TV’ series.

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Section: Introduction: Israel As An Exporter Of Quality Tv In the Age...mentioning

confidence: 99%

Section: Introduction: Israel As An Exporter Of Quality Tv In the Age...mentioning

confidence: 99%

Section: Introduction: Israel As An Exporter Of Quality Tv In the Age...mentioning

confidence: 99%

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The constructed quality of Israeli TV on Netflix: The cases of Fauda and Shtisel

Lavie

2022

Critical Studies in Television: The International Journal of Te

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“…Television and advertising are two of the most prominent sectors within the current creative industries landscape. Broadcasting is being shaped by internationalization (De Burgh et al 2012;Shahaf 2014) and can be considered to be in transition (Petruska 2014). Generally speaking, public service television has been funded with license fee or direct public subsidies in most European countries.…”

Section: Introductionmentioning

confidence: 99%

How advertising affects quality perception of public service television? A comparison of two surveys in Spain (2008 and 2012)

Artero

Etayo

Sánchez‐Tabernero

2016

Creative Industries Journal

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This paper aims at providing new insights about audiences' opinions concerning the role of advertising and its relation with the perceived quality of TV channels. It analyzes Spanish audience's perception of quality of public service broadcasters TVE1 and La 2 before and after the advertising withdrawal in 2010. The goal is identifying if the advertising removal is perceived as an improvement of the quality of TVE. The first conclusion is that a vast majority of the viewers find the channels more attractive now without any advertising than before having it. In addition, gender and age are not significant variables in order to affect this opinion. But the audience educational level does impact their perception: those less educated have a significant better opinion about the advertising withdrawal than others more educated. Both national public service channels (TVE1 and La 2) have improved significantly their quality perception when comparing 2008 and 2012 surveys. They are the only two channels within the Spanish market to obtain a better quality assessment. In fact, all channels tend to maintain or reduce their quality perception in the 2008-2012-time period.

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Homegrown reality: locally formatted Israeli programming and the global spread of format TV

Cited by 2 publications

References 13 publications

The constructed quality of Israeli TV on Netflix: The cases of Fauda and Shtisel

The constructed quality of Israeli TV on Netflix: The cases of Fauda and Shtisel

How advertising affects quality perception of public service television? A comparison of two surveys in Spain (2008 and 2012)

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