Hospital Clown in the Structure of Technologies of Socio-Cultural Rehabilitation

Dolzhenkova, Marina I.

doi:10.20310/1810-0201-2016-21-7/8(159/160)-84-94

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“…The former may be linked to the development of professional training for hospital clowns, while the latter has promoted it worldwide as a movement of volunteers (doctors, nurses, psychologists, actors, etc.). Nowadays there are more than a hundred organizations of hospital clowning in more than 40 countries (Gur'eva 2016;Dolzhenkova 2016).…”

Section: Alyona Ivanovamentioning

confidence: 99%

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2021

FEJF

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Bringing into focus the ways of how to approach trauma instead of defining the object of research is becoming increasingly important. This also indicates that the range of approaches to trauma that informs cultural inquiry is widening, and is moving away from one singular paradigm posited as universal. Trauma scholars have demonstrated, on the one hand, the importance of particular experiences, specific cases, individual features of experiencing, remembering, and narrating trauma. On the other hand, they have pointed out the impact of cultural "scripts" shaped by broader cultural understandings and social and cultural regulations and preferences that shape the possibilities of the representation of traumatic experience. This special issue seeks to recognize and negotiate the individual and collective dimensions of trauma as well as their interwovenness, with a focus on the (post)-Soviet and Eastern European experience. It does so by addressing the generalizing theoretical models as well as the practical, material, and experimental aspects of trauma. Thus, it seeks to disentangle and clarify the links between the collective and the individual, the theoretical and the practical, and finally, the universal and the specific, the global and the local.

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Section: Alyona Ivanovamentioning

confidence: 99%

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2021

FEJF

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Hospital Clown in the Structure of Technologies of Socio-Cultural Rehabilitation

Cited by 1 publication

References 0 publications

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