1948
DOI: 10.2307/829662
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"Hot" Rhythm in Negro Music

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Cited by 29 publications
(3 citation statements)
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“…Apart from reducing milk yields, it also caused elevated levels of LDH (lactate dehydrogenase) in blood plasma and, at 90 dB, disrupted glucose metabolism and insulin secretion [ 74 , 76 ]. Similar effects have been observed for African Percussion Music—which employs polyrhythm, rattles, iron gongs, sticks, calabashes and marimba (in addition to LDH, this genre also prompts elevated levels of globulins and glutamic-pyruvic transaminase in blood plasma)—Latin American music, and, according to JiaJia et al (2015), even folk music (most likely of Chinese origin, given the country of publication and the nationality of the authors) [ 74 , 77 , 78 ]. Based on these examples, it would seem that music genres with a subdued, natural sound (such as classical or relaxing music) are the best and safest choice for both cattle and humans.…”
Section: The Use Of Musicmentioning
confidence: 54%
“…Apart from reducing milk yields, it also caused elevated levels of LDH (lactate dehydrogenase) in blood plasma and, at 90 dB, disrupted glucose metabolism and insulin secretion [ 74 , 76 ]. Similar effects have been observed for African Percussion Music—which employs polyrhythm, rattles, iron gongs, sticks, calabashes and marimba (in addition to LDH, this genre also prompts elevated levels of globulins and glutamic-pyruvic transaminase in blood plasma)—Latin American music, and, according to JiaJia et al (2015), even folk music (most likely of Chinese origin, given the country of publication and the nationality of the authors) [ 74 , 77 , 78 ]. Based on these examples, it would seem that music genres with a subdued, natural sound (such as classical or relaxing music) are the best and safest choice for both cattle and humans.…”
Section: The Use Of Musicmentioning
confidence: 54%
“…I sketch this scenario to show how fraught times of radical change can be for students as Jones is hardly radical although we cannot disregard his influence on disciplining African Musicology. His (and others before him) fascination with and focus on the complexities of African music/rhythm (see also Jones, 1954) has generated years of attention to this aspect; in fact, African music has become synonymous with African rhythm (see Chernoff, 1979;Kauffman, 1980;Locke, 1982Locke, , 1987Merriam, 1959;Waterman, 1948) until Agawu's (1995) response to this 'invention' of African rhythm.…”
Section: Student Responses To the Changesmentioning
confidence: 99%
“…Examples of such skills may include Waterman's (1948) 'metronome sense', and 'apart' and 'off-beat' playing. All of these skills can be acquired through Akinpelu's (1974) 'listening', 'watching' and 'doing', rather than through being 'sat by a drum and taught' (see Kwami, 1992b, p. 11).…”
Section: Introductionmentioning
confidence: 99%