How did Oswald von Wolkenstein make his contrafacta?

Berger, Anna Maria Busse

doi:10.1017/cho9781139057813.016

The Cambridge History of Fifteenth-Century Music

DOI: 10.1017/cho9781139057813.016

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How did Oswald von Wolkenstein make his contrafacta?

Anna Maria Busse Berger

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Evidence of the Creative Process in Early Music

Owens

2022

The Oxford Handbook of the Creative Process in Music

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The investigation of musical creativity in early music proceeds largely through three approaches. One involves the study of surviving composer autographs and other evidence of musical composition. These material remains can shed light on the genesis of music that has been preserved in written form. This approach, however, cannot account for kinds of musical creativity that do not involve writing. An important new set of investigations deals with cultural practices, such as the widespread use of improvisation in performance and pedagogy or the role of memory. A third approach that is proving promising is the study of the music itself for evidence of its genesis by specialists with a deep understanding of specific repertories and associated music theoretical writing.

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Evidence of the Creative Process in Early Music

Owens

2022

The Oxford Handbook of the Creative Process in Music

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show abstract

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How did Oswald von Wolkenstein make his contrafacta?

Cited by 1 publication

References 12 publications

Evidence of the Creative Process in Early Music

Evidence of the Creative Process in Early Music

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