2014
DOI: 10.1080/09518398.2014.933913
|View full text |Cite
|
Sign up to set email alerts
|

How do you make a classroom operate like a work of art? Deleuzeguattarian methodologies of research-creation

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
10
0

Year Published

2014
2014
2024
2024

Publication Types

Select...
5
5

Relationship

1
9

Authors

Journals

citations
Cited by 32 publications
(10 citation statements)
references
References 26 publications
0
10
0
Order By: Relevance
“…How can we feel out how algorithms get their "hooks in the flesh" (Massumi, 2015, p. 85), working on and with our senses and activating our bodies in different ways? We are certainly not alone in being concerned about affect and method, and follow in the steps of a vibrant body of postqualitative research theorizing and experimenting with posthuman affect and method (see, for example, Coleman & Ringrose, 2013;Cvetkovich, 2012;Gershon, 2013;Hickey-Moody, 2012Hillis et al, 2015;Ivinson & Renold, 2013;Jackson & Mazzei, 2012;Johansson, 2015;Juelskjaer, Staunaes, & Ratner, 2013;Knudsen & Stage, 2015;Lather & St. Pierre, 2013;Leander & Boldt, 2013;Lenz Taguchi, 2016;MacLure, 2013;Renold, 2017;Renold & Ivinson, 2014;Ringrose, 2010Ringrose, , 2013Rotas, 2014;Springgay, 2011;Springgay & Rotas, 2015;Springgay & Zaliwska, 2016;St. Pierre, 2011;Thiel, 2015;Vannini, 2015; among many others).…”
Section: Methods Of the Presentmentioning
confidence: 99%
“…How can we feel out how algorithms get their "hooks in the flesh" (Massumi, 2015, p. 85), working on and with our senses and activating our bodies in different ways? We are certainly not alone in being concerned about affect and method, and follow in the steps of a vibrant body of postqualitative research theorizing and experimenting with posthuman affect and method (see, for example, Coleman & Ringrose, 2013;Cvetkovich, 2012;Gershon, 2013;Hickey-Moody, 2012Hillis et al, 2015;Ivinson & Renold, 2013;Jackson & Mazzei, 2012;Johansson, 2015;Juelskjaer, Staunaes, & Ratner, 2013;Knudsen & Stage, 2015;Lather & St. Pierre, 2013;Leander & Boldt, 2013;Lenz Taguchi, 2016;MacLure, 2013;Renold, 2017;Renold & Ivinson, 2014;Ringrose, 2010Ringrose, , 2013Rotas, 2014;Springgay, 2011;Springgay & Rotas, 2015;Springgay & Zaliwska, 2016;St. Pierre, 2011;Thiel, 2015;Vannini, 2015; among many others).…”
Section: Methods Of the Presentmentioning
confidence: 99%
“…We do this by working in an alternative paradigm, the ethico-aesthetic. Following, Rolnik (2017), but also Guattari (1995), Braidotti (2006) and scholars in curriculum studies (Springgay and Rotas 2015), early childhood studies (Dahlberg 2016;Hackett 2017;MacRae 2019;Trafí-Prats 2018, and environmental education (Rousell and Cutter-McKenzie-Knowles 2018), we understand an ethico-aesthetic paradigm as one that engages in sensuous and affirmative becomings with bodies, materials and technologies that endanger the perpetuation of neoliberalized parenting by generating embryos of other possible parental worlds (Rolnik 2017). We follow Guattari (2000) in considering that parental ecologies could be transformed through new aesthetic and analytic practices that intensify sense and affect.…”
Section: Towards An Ethico-aesthetic Paradigm Of Parentingmentioning
confidence: 99%
“…As another form of response-ability, feminist posthuman and new materialist research practices question traditional methodologies-which tend to be grounded in the logics of rationality and transcendence-and actively seek different ways of researching that attend to more-than-human world(ing) relations, experiment with different modes of creative expression beyond the textual, and produce situated forms of knowledge that respond to urgent ethico-political imperatives (Taylor & Hughes, 2016;Renold, 2018Renold, , 2019Niccolini andRingrose, 2019, Renold &. From a PhEmaterialist perspective, researching is a creative, experimental endeavor-acts of researchcreation (e.g., Springgay & Rotas, 2015), edu-crafting (Taylor & Hughes, 2016), performing methodology (Otterstad, 2018), and/or knowledge-production (Braidotti, 2019a).…”
Section: Medusa Risingmentioning
confidence: 99%