2021
DOI: 10.1177/17504813211017709
|View full text |Cite
|
Sign up to set email alerts
|

How ISIS represented enemies as ineffectual in Dabiq: A multimodal critical discourse analysis

Abstract: This paper is a multimodal critical discourse study of other-representation in ISIS’s magazine, Dabiq, It focuses on both the micro-level analysis of actor and action representation, and the macro-structure of negative other-depiction in Dabiq from both textual and visual perspectives. Through in-depth examination of linguistic and non-linguistic elements, the study aimed to unfold ISIS’s ideology at the global level, which is to construct its desired reality and eventually to recruit supporters. The analysis … Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
3

Citation Types

0
4
0

Year Published

2022
2022
2024
2024

Publication Types

Select...
7
1

Relationship

0
8

Authors

Journals

citations
Cited by 9 publications
(4 citation statements)
references
References 18 publications
0
4
0
Order By: Relevance
“…Needless to note that such a distribution and also particularisation of identity and agency is practised through intensive interference in everyday facets of subjects’ individual and social activities. As a telling example, Eriksson and Kenalemang (2023) indicate that the rapid development of cosmetic apps delimits women’s perception of their identities to the fragmented and metricised evaluations of their facial appearance. It also directs their agency to get involved with ‘aesthetic labour’ and the unending cycle of consuming the so-called right cosmetic products.…”
Section: Introductionmentioning
confidence: 99%
“…Needless to note that such a distribution and also particularisation of identity and agency is practised through intensive interference in everyday facets of subjects’ individual and social activities. As a telling example, Eriksson and Kenalemang (2023) indicate that the rapid development of cosmetic apps delimits women’s perception of their identities to the fragmented and metricised evaluations of their facial appearance. It also directs their agency to get involved with ‘aesthetic labour’ and the unending cycle of consuming the so-called right cosmetic products.…”
Section: Introductionmentioning
confidence: 99%
“…Consumerism propels this self-expression ‘by turning people into consumers and changing their consumer behaviours’ (Peng, 2019: 3). It stimulates Chinese women to ‘indulge in the possibilities and pleasures of feminine expressions’ (Liu, 2014: 20), including the utilization of cosmetic apps as a tool for assessing and modulating their gendered appearances (Eriksson and Kenalemang, 2023; Peng, 2021b). This shift reflects the ‘transformation of the communist ideal of women as producers into the neoliberal image of women as consumers’ (Xu and Feiner, 2007: 310).…”
Section: Introductionmentioning
confidence: 99%
“…The framework starts with inclusion and exclusion across varying levels of representation and through a diversity of role allocation. As a result of its breadth, the application of social actor representation in the literature on discourse studies seems relatively common, including works on execution ( Utama et al, 2020 ; Chaemsaithong, 2021 ), terrorism ( Rasoulikolamaki and Kaur, 2021 ), disability ( Ang and Yeo, 2018 ), and politics ( Asad et al, 2019 ; Surjowati, 2020 ; Diamante, 2021 ), as well as those with corpus-based motivations ( García-Marrugo, 2013 ; Bakar, 2014 ; Fadanelli et al, 2020 ).…”
Section: Introductionmentioning
confidence: 99%