<i>A Room with a View</i>

Herz, Judith Scherer

doi:10.1017/ccol0521834759.010

Cited by 13 publications

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“…Judith Scherer Herz (2007) O homem ferido vira-se para Lucy «como se tivesse uma mensagem importante para ela» (Forster, 2006: 70) Charlotte vibra com a sorte de contar com sugestões de uma «mulher tão inteligente» (Forster, 2006: 26). O reverendo Beebe articula um ponto de observação privilegiado na narrativa, como demonstra a passagem em que ele pondera sobre a amizade das mulheres:…”

Section: Introductionunclassified

Problemas de gênero no romance: representação e resistência em Um Quarto com Vista, de E. M. Forster

Lemos de Souza

2121

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A Room with a View (1908), by E. M. Forster, features difficult questions on the codifications of gender in arts and their social continuities in Edwardian England. The aim of this work is to analyze some of those questions in the novel as well as describe some frames of resistance to gender conventions. Before that, we present a brief overview on the relations between gender and literary creation in early 20th century English literature.

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Section: Introductionunclassified

Problemas de gênero no romance: representação e resistência em Um Quarto com Vista, de E. M. Forster

Lemos de Souza

2121

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A room with a view: a metaphor analysis of Vietnamese women’s representations of living with depression using photo elicitation

Palmer¹,

Furler²

2018

Visual Studies

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Banned Emotions

Otis¹

2019

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Who benefits, and who loses, when emotions are described in particular ways? How can metaphors such as “hold on” and “let go” affect people’s emotional experiences? Banned Emotions draws on the latest research in neuroscience and psychology to challenge popular ideas about emotions that should supposedly be suppressed. This interdisciplinary book breaks taboos by exploring emotions in which people are said to “indulge”: self-pity, prolonged crying, chronic anger, grudge-bearing, bitterness, and spite. By focusing on metaphors for these emotions in classic novels, self-help books, and popular films, Banned Emotions exposes their cultural and religious roots. Examining works by Dante, Dickens, Dostoevsky, Kafka, Forster, and Woolf in parallel with Bridesmaids, Fatal Attraction, and Who Moved My Cheese?, Banned Emotions reveals patterns in the ways emotions are represented that can make people so ashamed of feelings, they may stifle emotions that they need to work through. By analyzing the ways that physiology and culture combine in emotion metaphors, Banned Emotions shows that emotion regulation is a political as well as a biological issue. Banned Emotions considers the emotions of women abandoned by their partners and asks whether the psychological “attachment” metaphor is the best way to describe human relationships. Recent studies of emotion regulation indicate that reappraisal works better than suppression, which over time can damage a person’s health. Socially discouraged emotions such as self-pity emerge from lived experiences, often the experiences of people who hold less social power. Emotion metaphors like “move on” deflect attention from the social problems that have inspired emotions to the individuals who feel them—people who need to think about their emotions and their causes in the world.

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A Room with a View

Cited by 13 publications

References 0 publications

Problemas de gênero no romance: representação e resistência em Um Quarto com Vista, de E. M. Forster

Problemas de gênero no romance: representação e resistência em Um Quarto com Vista, de E. M. Forster

A room with a view: a metaphor analysis of Vietnamese women’s representations of living with depression using photo elicitation

Banned Emotions

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