<i>Cula Mzansi:</i> Towards Strategic Transformation of Operatic Culture in Post-Apartheid South Africa

Nomcweya, Mzwanele Jackson; Seda, Owen; Mugovhani, Ndwamato George

doi:10.1080/02500167.2021.1959364

Cited by 1 publication

(2 citation statements)

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“…In the rhythmic heartbeat of South Africa's diverse cultural landscape, where the echoes of history harmonise with the cadence of contemporary expression, opera emerges as a powerful and enduring melody that transcends time and resonates across communities (Muller, 2018;Nomcweya et al, 2021;Pistorius, 2017;Roos, 2010;van Der Hoven, 2021). This is echoed by Roos (2010) who mentions that opera stands not merely as an art form but as a living testament to the resilience, diversity, and identity of the nation.…”

Section: Introductionmentioning

confidence: 99%

“…However, as the country is standing at the crossroads of a changing socio-cultural milieu, the melodic strains of opera echo the multifaceted journey of South Africa-a journey marked by triumphs over adversity, the pursuit of equality, and the forging of a national identity that defies singular definitions (Nomcweya et al, 2021). In the vibrant richness of South African culture, opera's role is not merely that of an artistic pursuit; it is a dynamic force that reflects the nation's past, engages with its present, and carries aspirations for its future.…”

Section: Introductionmentioning

confidence: 99%

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Funding Opera in the Changing Landscape: Should Opera Be Funded or Accepted as a Fading Culture in South Africa?

Yende

2024

RESSAT

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Opera is considered a significant part of cultural heritage in many societies. In the South African context, opera has a rich history and has contributed to the development of various art forms. Opera has continued to play a significant role in preserving and promoting cultural diversity in South Africa. Opera production contribute to the economy by creating jobs for artists, musicians, technicians, and other professionals. Additionally, opera events can attract tourism and boost local economies. Public funding for opera may be seen as an investment with economic returns. The purpose of this article is to examine the funding of opera in South Africa against the backdrop of a changing cultural landscape. It aims to investigate whether opera should continue to receive funding or if it should be accepted as a fading cultural form. Employing a qualitative approach, ten participants, including opera company managers and artists, share their perspectives through semi-structured interviews. Colaizzi's phenomenological data analysis method reveals key themes of financial viability, challenges, and opportunities. Findings were presented in themes and supported by quotes from research participants. Opera company managers and artists shared valuable insights into financial viability, challenges, and opportunities. Strategic collaborations, revenue diversification, and the pivotal role of public funding emerged as central themes. The findings shed light on the adaptive measures undertaken by stakeholders in response to the changing cultural and financial climate. The conclusion synthesises the key findings, emphasising the resilience of South African opera in the face of funding challenges. It underscores the importance of balancing financial support and cultural acceptance for sustained vitality. The study contributes to ongoing discussions on the intersection of funding, cultural relevance, and the future of opera in South Africa.

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Section: Introductionmentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%