2011
DOI: 10.1080/1743727x.2011.578818
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‘I did it my way’: voice, visuality and identity in doctoral students' reflexive videonarratives on their doctoral research journeys

Abstract: This paper presents accounts of four UK doctoral students' engagement in a Higher Education Academy project which used digital video to promote reflexivity on their doctoral journeys. Proceeding from participants' accounts of the production of their videonarratives, the paper analyzes the relations between doctoral research, reflexivity and the use of digital video, and their articulation in different ways by the participants. As an 'assemblage', the written form of the paper aims to evoke both the collaborati… Show more

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Cited by 7 publications
(5 citation statements)
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“…In other words, the process of story creation and the production of a tangible artefact as an outcome that can be viewed and reflected upon by others are two of the key aspects of digital storytelling (Lambert 2010). These features make digital stories as a research method different from other forms of visual research methods, for example, photo-elicitation (Shohel 2012), stimulated recall (Vesterinen, Toom, and Patrikainen 2010) and video narratives (Taylor et al 2011). In these examples, images and/or video were used as cues to aid recall and reflection on the specific context or practice example.…”
Section: Stories As Situated Knowledgementioning
confidence: 99%
“…In other words, the process of story creation and the production of a tangible artefact as an outcome that can be viewed and reflected upon by others are two of the key aspects of digital storytelling (Lambert 2010). These features make digital stories as a research method different from other forms of visual research methods, for example, photo-elicitation (Shohel 2012), stimulated recall (Vesterinen, Toom, and Patrikainen 2010) and video narratives (Taylor et al 2011). In these examples, images and/or video were used as cues to aid recall and reflection on the specific context or practice example.…”
Section: Stories As Situated Knowledgementioning
confidence: 99%
“…It is, then, an emphasis on transition as experiential emergence through the interplay of micro-level events that makes our approach distinct. Such an approach does not see students as vessels to be filled with appropriate cultural capital (T1), nor does it position students as being on an forward-moving conveyor-belt punctuated by critical incidents (T2 (Larsson 2013), and doctoral education (Taylor et al 2011). However, their work has been relatively little used in analyses of higher education and, as far as we can ascertain, there have not yet been any studies which use Deleuze and Guattari's philosophy to explore transition to Higher Education.…”
mentioning
confidence: 99%
“…At the same time, many doctoral students will now be considering jobs outside of academia, after completion. This competitive landscape inevitably shapes the experiences of doctoral students, meaning that the pressure and expectation to engage in additional practices has rapidly increased, leading to cultures of doctoral ‘skills acquisition’ (Taylor et al, 2011, p. 443). The ways in which doctoral students engage in literacy practices has also been radically altered by the rise in digital media and an expanding multiplicity of ways to make connections across academia, and beyond the context of a singular department.…”
Section: Doctoral Educationmentioning
confidence: 99%