Abstract:In the midst of the activism outburst after the Ayotzinapa crisis, the Mexican collective ‘Rexiste’ wrote the phrase ‘It was the state’ in Mexico City’s main square. I define such action as an embodied practice of memory, which re configurates Mexico’s history of violence. Based on an affective approach, I delve into the kinaesthetic of the performance to show how the action is summoning archived repertoires of Mexican activism post-1968. I first refer to the foundation of human rights committees in the late 7… Show more
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