“…Given the broad aims of the ‘Making Publics’ project, it is ironic that their analyses of Renaissance drama have been so narrow in focus. Predictably, given his cultural import, Shakespeare has dominated research on publics: Hamlet (1600) is a great source of interest to Yachnin (‘Social’, ‘Performing’), and Mullaney and Welch also focus on the play, while Shankar Raman examines The Merchant of Venice (1596), and Doty considers several Shakespeare plays (‘ Richard II ’; ‘ Measure for Measure ’; ‘Popular Politics’). Unlike the others, Yachnin also gestures towards the wider corpus of Renaissance drama, incorporating references to other dramatists in his essays and producing one piece focusing on how Middleton's drama ‘fashioned a public space were one did not exist before’ (‘Playing’ 32), but future work should examine the variety of the Renaissance stage in greater detail.…”