“…Instead, he aligns notions of expansion and dominion with the development or release of the soul-which, in the poem's last lines, "farther, farther, farther sail[s]" into eastern seas, as Whitman adopts and extends a longstanding western tradition of looking eastward for enlightenment and spiritual repose, even as one simultaneously seeks profit or adventure. 5 India, meanwhile, serves for Whitman and for many of his American readers as a metaphor for extremity itself (in terms of heat, luxury, poverty, brutality, and so on) and as the site of the western subject's striving, even as it evokes the past and the exotic-India's shores, Whitman writes, are "aged fierce enigmas," mired in a centuries-old resistance to temporal change. 6 If Whitman's poem stands as a monument to imperial optimism, a lesser-known American conversation on India, which took place nearly fifteen years earlier, evinced considerably more ambivalence.…”