2009
DOI: 10.1057/9780230248595
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Identity and Cultural Memory in the Fiction of A. S. Byatt

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Cited by 6 publications
(1 citation statement)
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“…Per Stromberg (2011), "entertainment is by now so thoroughly woven into the fabric of our existence [that] … the culture of entertainment is arguably the most influential ideological system on the planet" (p. 3). History is constantly being recreated and repackaged for successive generations in film and television dramas, comedies, and documentaries (Eley, 2001;Steveker, 2009). Film provides a means of historical recollection, contextualization, and even rehabilitation: As movies capture the oeuvre of a particular era, they also preserve for successive generations the attitudes, actions, and landscapes of bygone days as framed by screenwriters, directors, and producers (Caldwell, 2008).…”
Section: Introductionmentioning
confidence: 99%
“…Per Stromberg (2011), "entertainment is by now so thoroughly woven into the fabric of our existence [that] … the culture of entertainment is arguably the most influential ideological system on the planet" (p. 3). History is constantly being recreated and repackaged for successive generations in film and television dramas, comedies, and documentaries (Eley, 2001;Steveker, 2009). Film provides a means of historical recollection, contextualization, and even rehabilitation: As movies capture the oeuvre of a particular era, they also preserve for successive generations the attitudes, actions, and landscapes of bygone days as framed by screenwriters, directors, and producers (Caldwell, 2008).…”
Section: Introductionmentioning
confidence: 99%