1992
DOI: 10.1080/09502389200490231
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Identity without a centre: Allegory, history and Irish nationalism

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Cited by 6 publications
(2 citation statements)
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“…Luke Gibbons (1996Gibbons ( , 2005 points out that there are two, largely incompatible, nationalist traditions in Ireland: constitutional nationalism, which largely follows the pattern mapped out by Anderson, but also an insurrectionary nationalism, which both James Joyce and, as discussed above, Ó Cadhain identified. Modern Ireland is the product of both of these traditions, which have their own (opposed and incompatible) space-times.…”
Section: The Novel As Medium and Tropementioning
confidence: 96%
“…Luke Gibbons (1996Gibbons ( , 2005 points out that there are two, largely incompatible, nationalist traditions in Ireland: constitutional nationalism, which largely follows the pattern mapped out by Anderson, but also an insurrectionary nationalism, which both James Joyce and, as discussed above, Ó Cadhain identified. Modern Ireland is the product of both of these traditions, which have their own (opposed and incompatible) space-times.…”
Section: The Novel As Medium and Tropementioning
confidence: 96%
“…In such essays as ‘The Cracked Looking Glass’ Of Cinema: James Joyce, John Huston, and the Memory of ‘The Dead’, (2002) and ‘Identity Without a Center: Allegory, History, and Irish Nationalism’, (1996) Gibbons emphasizes the ghostliness of the story and the Gothic strategies that Joyce uses to reveal the repressive history of British usurpation and colonization in Ireland. Throughout the tale, as Gibbons argues, Joyce’s narrator plays the monumental poetry of English writers like Shakespeare and Robert Browning off against the apparently low, orally transmitted songs that served to define Gaelo‐Catholic identity in colonized Ireland.…”
Section: Modernizing the Gothicmentioning
confidence: 99%