2005
DOI: 10.1353/jge.2005.0018
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Ideology, Life Practices, and Pop Culture: So Why is this Called Writing Class?

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Cited by 3 publications
(3 citation statements)
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“…Overall, Heiman discovered that persuading students to view science as being an "appropriate," "interesting and applicable" course subject represented a problem in his class (2014). Indeed, composition instructors may need to identify the value, for students, of covering environmental themes, as in high school, many teachers focus on expressive writing (Fitts, 2005). Likewise, faculty should offer students the chance to formulate their own personal responses to the landscape (Gaard, 2001;Killingsworth, 2005;Marx, 2008).…”
Section: Environmentally Themed Courses and Ecocomposition Design Approachesmentioning
confidence: 99%
“…Overall, Heiman discovered that persuading students to view science as being an "appropriate," "interesting and applicable" course subject represented a problem in his class (2014). Indeed, composition instructors may need to identify the value, for students, of covering environmental themes, as in high school, many teachers focus on expressive writing (Fitts, 2005). Likewise, faculty should offer students the chance to formulate their own personal responses to the landscape (Gaard, 2001;Killingsworth, 2005;Marx, 2008).…”
Section: Environmentally Themed Courses and Ecocomposition Design Approachesmentioning
confidence: 99%
“…Fitts (2005), Friedman (2013, and George and Trimbur (1995) all discuss the use of popular culture as a means to draw students in and increase engagement. This may take the form of popular culture materials appearing as readings in standard composition course texts, but these can still cover a wide array of subjects and may not be focused around a cogent theme.…”
Section: Composition Literature: Impact Of Theme-based Courses On Stumentioning
confidence: 99%
“…These scholars and others have made a compelling case for engaging in the classroom the discursive and rhetorical knowledge students bring from popular culture. Yet, for many in the field, popular culture remains a silly or even dangerous influence that is either ignored when it comes to thinking about pedagogy, or even critiqued as antithetical to the goals of a college writing course (Bradbury, 2011;Fitts, 2005). Even instructors who do incorporate popular culture into writing courses often do so primarily as a means of providing "relevant content" for critique (Bishop, 1999;Faulkner, 2011;Huffines, 2008;Roach, 2008), rather than as a source of rhetorical conversation or teaching composing practices.…”
Section: The Ambivalence Toward Popular Culture In the Classroommentioning
confidence: 99%