Il Barbiere di Siviglia

Rossini, Gioacchino; Macfarren, Natalia

doi:10.2307/3354643

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2013

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“…All samples used recordings from solo singers that were mostly unaccompanied (the exception being the recording of Erna Sack from 1936 Una voce poco fa from il barbiere di Siviglia) [36,37]. For M3 the singers on the recorded samples included Erna Sack (the German Nightingale) an opera singer, and Adam Lopez a pop musician from Australia.…”

Section: Methodsmentioning

confidence: 99%

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Pitch Profile of the Glottal Whistle (M4)

Edgerton¹,

Tan²,

Evans³

et al. 2013

MJS

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This paper presents a previously unreported method of laryngeal vocal sound production that is capable of producing pitches even higher than the whistle register (M3). Colloquially known as the glottal whistle (here referred to as M4), this method has a wider range than M3 and features frequent instances of biphonation, which is of interest for those involved with contemporary and improvised music. Pitch profile analyses of M4 have found the majority of fundamental frequency (f0) activity to be between 1 and 3 kHz, while the most frequently seen range was between 1000 to 1,500 Hz. Remarkably, multiple singers were able to produce f0 higher than the highest tone on the piano.(Keywords: glottal whistle, whistle register, M3, voice science, high fundamental frequency)

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Section: Methodsmentioning

confidence: 99%

“…Erna Sack(1936); "Una voce poco fa" from Il barbiere di Siviglia, 1816 by Gioacchino Rossini with a lengthy sustained tone on G6 in M3 registerthis excerpt features both the head (M2) and whistle registers (M3)(Rossini, 1936).…”

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confidence: 99%