"Illibata Dei Virgo Nutrix" and Josquin's Roman Style

Abstract

Josquin's famous acrostic motet Illibata Dei virgo nutrix has generally been considered an early work on the basis of its musical style. Viewing the work from different perspectives, both analytical and historical, suggests that the work may not have been written as early as presumed, and that Josquin's style might have changed in response to tastes he encountered in the various centers in which he worked. The focus of discussion is Rome, and the musical styles favored by composers of the Papal Chapel in the period in which Josquin was a member of that organization (1486- ca. 1495). It is suggested that Illibata Dei virgo nutrix be viewed as a contribution to a particularly Roman corpus of five-voice Tenor motets and a deliberate attempt to emulate and surpass papal composers in their own style.

Zwischen kirchlicher Liturgie und korporativer Frömmigkeitspraxis

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