Image of Ivan the Terrible in creativity of the composers: on question of national identity in musical art

Parfentieva, Natalia V.; Парфентьева, Наталья Владимировна

doi:10.17516/1997-1370-2016-9-8-1903-1909

J. Sib. Fed. Univ., Humanit. soc. sci.

2016

DOI: 10.17516/1997-1370-2016-9-8-1903-1909

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Image of Ivan the Terrible in creativity of the composers: on question of national identity in musical art

Natalia V. Parfentieva¹,

Наталья Владимировна Парфентьева²

Abstract: The author of this article examines the phenomenon of implementation of Russian national identity in music in the creativity of the contemporary composers in their work DOI: 10.17516/1997DOI: 10.17516/ -1370DOI: 10.17516/ -2016DOI: 10.17516/ -9-8-1903DOI: 10.17516/ -1909 Research area: culture studies.

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2018

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“…The relatively studied area of research within the framework of the problem is the study of the reflection of ideologies "Moscow -the Third Rome" and "Moscow -the New Jerusalem" in the architectural monuments, culture and art 1 . Recently the problem has been studied on the material of Russian musical hymnographic art (Parfentyev, Parfentyeva, 2016;Parfentieva 2016а;Parfentieva, 2016b).…”

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To the Study of Reflection of Cultural Identity Processes in the Russian Art of the 16–17th Centuries

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2018

J. Sib. Fed. Univ., Humanit. soc. sci.

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The article reveals the ways of studying the features of the core concepts of Russian cultural identity representation in the Russian art of the 16-17th centuries, considered in its continuous dynamic and dialectical development at the key stages of formation and transformation. The relevance of the study stems from the fact that among a significant number of works on the problems of Russian art of the late Middle Ages and the beginning of the New Time, there are no special scientific works in which this topic would be considered as the main one. It is particularly important to define what the fundamental (archetypal) grounds of cultural identity is, how it is transformed at a turning point of history. The author suggests methods and approaches to solve the problem. One of the most significant scientific approach is the integrity of the investigation. It consists of comprehension of sustainable historical core of cultural identity and its embodiment in the art in all the chronological stages of the study period. The factor of identity stands out as a crucial element, synthesizing various determinants, that act in the development of art. The novelty consists of the authors' identity reflection concepts in art and the use of a number of authors' techniques to reveal semantic and stylistic formula of identity embodiment in the works of artists. The author gives a justification for the application of the inter-textual method of identifying the essential foundations of cultural identity, the textual method of structural and formulae analysis of the musical hymnographic works of medieval art, the elementstructural method of research of manuscript ornamentation art. The solution of this problem will complement modern scientific ideas about cultural identity in the art and spiritual culture of Russia. Cultural identity relates to the phenomena that always attract attention and remain in demand for the in-depth research. The problems of the study of this phenomenon should be attributed to the number of contemporary world challenges. In Russia a considerable academic interest of cultural identity comprehension was initiated by a systemic crisis that erupted in the country in the last quarter of the twentieth century. A radical destruction of the ideological paradigm and the choice of the "pro-Western" vector of development affected all aspects of life of society and personality, thus arousing the associations with the Europeanization in the time of Peter's

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confidence: 99%

To the Study of Reflection of Cultural Identity Processes in the Russian Art of the 16–17th Centuries

N.¹

2018

J. Sib. Fed. Univ., Humanit. soc. sci.

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Image of Ivan the Terrible in creativity of the composers: on question of national identity in musical art

Cited by 1 publication

References 3 publications

To the Study of Reflection of Cultural Identity Processes in the Russian Art of the 16–17th Centuries

To the Study of Reflection of Cultural Identity Processes in the Russian Art of the 16–17th Centuries

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