Images

Manghani, Sunil

doi:10.5325/j.ctv14gpdjx.49

Cited by 3 publications

(4 citation statements)

References 0 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…Analysis and thematization of gender schemas focused on the drawings themselves, but also included the other texts that imbued them with meaning and agency. Following Sunil Manghani's (2013) concept of an "ecology of images, " which posits that "an image always exists in a set of contexts" as part of an "image community" which are framed, communicated, and comprehended through language (p. 17), the author looked at the captions and naming frames used by the Desk officers, the text of their verbal sharing, and the conversations which followed the sharing sessions, all of which constructed the Desk officers' meaning-making systems.…”

Section: Methodsmentioning

confidence: 99%

Dapat, kita: Representations of the Schema of Heteronormativity and the Visibility of Abuse in Domestic Violence

Liwag-Lomibao¹

2021

View full text Add to dashboard Cite

Barangay Violence Against Women (VAW) Desk officers are the frontliners in the provision of services to a victim/survivor of domestic violence. They are the first persons that a woman encounters, and they determine whether her truth claim identifies her as domestic violence case, thereby enabling her to access State-provided services and interventions. Thus, it is important to inquire into the Desk officers’ worldviews and beliefs, also called schemas, and how these influence the ways they communicate and interact with the victim/survivors they encounter daily in their work. Guided by gender schema theory, this study examines the drawings of the VAW Desk officers—and the ecology of images that accompany these drawings—to delve into their cognitive constructions of the gendered nature of domestic violence. Two dominant schemas emerge from this examination: the schema of heteronormativity (dapat), and the schema of the necessary visibility of domestic violence (kita). These schemas govern the Desk officers’ everyday judgments and decision making, and inform the ways they communicate with domestic violence victim/survivors.

show abstract

Section: Methodsmentioning

confidence: 99%

Dapat, kita: Representations of the Schema of Heteronormativity and the Visibility of Abuse in Domestic Violence

Liwag-Lomibao¹

2021

View full text Add to dashboard Cite

show abstract

“…It proceeds with a discussion of images in politics and international affairs, setting out a theoretical terrain that encompasses affective-emotional and cognitive-instrumental motives. These are concurrent or interspersing, rather than mutually exclusive (Tomkins 2008; Mercer 2010; Manghani 2013; Markwica 2018). Though one type of motive may take precedence at a given moment, each infuses political practice (Damasio 1994; Elster 1999; Lebow 2005; Chiao 2015).…”

Section: Introductionmentioning

confidence: 99%

Political Imagery and the Russia-Germany-America Triangle

Wood

2022

Nationalities Papers

View full text Add to dashboard Cite

The material dimension of Russian foreign and domestic policy is accompanied by one of images and performativity. The Putin regime has affective-emotional and instrumental motives. Its main target audience is the Russian public. Its principal adversary is the United States. The decisive external audience is the Federal Republic of Germany (FRG), a pluralist entity that is also concerned with past and present images of itself. Politics in this critical international triangle is infused with theatrical, mediatized, and psychological elements, and the (re)construction of national and individual personae.

show abstract

“…The concept of images has been studied for centuries-spanning disciplines from art and (art) history to studies in architecture, film, (visual) culture, communication, media, neuroscience, science, literature, anthropology, sociology, philosophy, psychology and education, as indicated by Manghani et al (2006). Prominent scholars such as Roland Bathes and Umberto Eco (semiotics), Michel Foucault (philosophy), Aby Warburg, Georges Didi-Huberman and Ernst Gombrich (art history), and William John Thomas Mitchell and Whitney Davis (visual culture studies) generally agreed to no longer explain images (pictures) by texts but to distinguish them from texts (Belting, 2001;Bohnsack, 2020;Mitchell, 1995).…”

Section: The Multiplicities Of Image and Imagerymentioning

confidence: 99%

“…Gombrich shifted the emphasis of interpretation to the creation of the picture and its artist from Panofsky's approach to viewing and the observer (Manghani et al, 2006).…”

Section: Corrective Principle Of Interpretation (History Of Tradition)mentioning

confidence: 99%

Information sensorium as a framework to read images: an interdisciplinary investigation on "reading images" using the Wayfarer Triptych by Jheronimus Bosch as a case study

Sum

View full text Add to dashboard Cite

show abstract

Images

Cited by 3 publications

References 0 publications

Dapat, kita: Representations of the Schema of Heteronormativity and the Visibility of Abuse in Domestic Violence

Dapat, kita: Representations of the Schema of Heteronormativity and the Visibility of Abuse in Domestic Violence

Political Imagery and the Russia-Germany-America Triangle

Information sensorium as a framework to read images: an interdisciplinary investigation on "reading images" using the Wayfarer Triptych by Jheronimus Bosch as a case study

Contact Info

Product

Resources

About