2016
DOI: 10.1111/1467-954x.12387
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Imagination Laboratory: Making Sense of Bio-Objects in Contemporary Genetic Art

Abstract: Public engagement in biotechnology has declined as cloning, genetic engineering and regenerative medicine have become socially and culturally normalized. Zooming in on existing bio-technological debates, this article turns to contemporary genetic art as sites for ethical reflections. Art can be viewed as an "imagination laboratory", a space through which un-framing and rupturing of contemporary rationalities are facilitated, and, in addition, enabling sense-making and offering fantastic connections otherwise n… Show more

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Cited by 11 publications
(4 citation statements)
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“…Finally, (bio)artists are particularly well positioned to explain or visualize scientific work, 38 to critically question the TE field, its implications and assumptions 215 , 250 and to provide alternative places for discourse on the intersection of art and bioethics. 222 , 251 …”
Section: Resultsmentioning
confidence: 99%
“…Finally, (bio)artists are particularly well positioned to explain or visualize scientific work, 38 to critically question the TE field, its implications and assumptions 215 , 250 and to provide alternative places for discourse on the intersection of art and bioethics. 222 , 251 …”
Section: Resultsmentioning
confidence: 99%
“…The cultural institution of art is generally considered providing a predestined experimenting ground for synthesis of different ideas, practises and technologies (Holmberg & Ideland, 2016;Borchhardt, 2020). According to this institution's traditional, (self-) proclaimed social function as a special space of experimentation, reflection, and experience with its own aesthetic, social, and legal regularities in various countries, many artists and researchers use the art institution to criticize traditional notions of order and point out aesthetic and material alternatives through an unconventional experimental use of technologies, cultural practices, and artistic strategies of staging.…”
Section: Imagining Godzillamentioning
confidence: 99%
“…Like science, art is concerned with creation and control, but often at a different level and for different ends. It also contains centrally elements of playfulness, encouraging imagination and wonder [54][55][56], which according to Nussbaum ([54]: p. 100) have an 'important role in shaping democratic citizenship'.…”
Section: Embracing the Messy: Artists Counter The Standardisation Of mentioning
confidence: 99%