2012
DOI: 10.1177/0973258613501065
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Imagining Bio-disaster, Reproducing Social Order

Abstract: This article studies the imagination and representation of biological disaster in contemporary popular cinema. The texts chosen are Steven Soderbergh’s 2011 film Contagion, Danny Boyle’s modern zombie-horror classic 28 Days Later (2002), Francis Lawrence’s I Am Legend (2007) and Alfonso Cuaron’s Children of Men (2006). This article is interested in the ‘sensual elaboration’, within filmic narrative, of biological disaster, and will argue that these films not only communicate with but organize their viewers’ pe… Show more

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Cited by 5 publications
(3 citation statements)
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“…Most critics investigate the negative impact of the pandemic on the individual's body, society, and economy. For example, Sundaram (2012) studies the representation of the biological disaster caused by pandemics in contemporary film narratives, including Soderbergh's Contagion. She studies the viral invasion of the individual's body, which is "seen as a permeable system, one that is unable to withstand viral invasion and also unable to contain it" (p. 147).…”
Section: Stephen Soderbergh's Contagion (2011)mentioning
confidence: 99%
“…Most critics investigate the negative impact of the pandemic on the individual's body, society, and economy. For example, Sundaram (2012) studies the representation of the biological disaster caused by pandemics in contemporary film narratives, including Soderbergh's Contagion. She studies the viral invasion of the individual's body, which is "seen as a permeable system, one that is unable to withstand viral invasion and also unable to contain it" (p. 147).…”
Section: Stephen Soderbergh's Contagion (2011)mentioning
confidence: 99%
“…Esto es, las narrativas del contagio epidémico hablan sin duda de los estragos de la enfermedad, y argumentan la necesidad imperiosa de desarrollar mecanismos sociales para combatir la amenaza, reforzando y legitimando los dispositivos de control y disciplinamiento de la población que acompañan a los protocolos de prevención del contagio. Pero al hacerlo ponen también en escena otros miedos que no tienen que ver directamente con la enfermedad sino con otras amenazas más difusas, que carecen de narrativas claras para ser expresadas (Sundaram, 2012). Dicho de otro modo, los relatos del contagio biológico abastecen a las sociedades modernas -y muy intensamente a la cultura actual-de marcos narrativos solventes para dar cuenta de miedos y angustias difíciles de definir, que carecen de marcos narrativos y cuadros de sentido que puedan explicarlos convincentemente.…”
Section: Imaginación Del Desastre Y Estado De Excepción Narrativaunclassified
“…Research on entertainment media depictions of disease and other health threats in movies, television, and novels has explored the presence of apocalyptic narratives or anxieties (e.g. Gerlach and Hamilton, 2014; Ironstone-Catterall, 2011; Sundaram, 2012), often connecting particular tropes, signifiers, and imagery with public understandings of science and health or presenting them as evidence of broader cultural narratives (Haynes, 2006; Kirby, 2003; Levina, 2015). Virus discourse often draws on a system of signification, or particular imagery, to conjure specific narratives or processes (Mayer, 2007; Rosenstone, 2003).…”
Section: The Visual Culture Of Contagion 23mentioning
confidence: 99%