2005
DOI: 10.1080/01463370500056150
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Immediacy, humor, power distance, and classroom communication apprehension in Chinese college classrooms

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Cited by 81 publications
(44 citation statements)
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“…In some countries any use of laughter may be deemed inappropriate for the lecture theatre. Zhang (2005), for example, cites a large body of US research to show that instructors' use of humour reduces students' anxiety, boosts learning, and increases willingness to participate, but also finds in a survey of 176 undergraduates in central China that 'perceived instructor humour orientation' exacerbates students' fear of participating in class. Zhang concludes that humour makes Chinese students feel uncomfortable, because it 'highlights individual attention and deviation from the group'.…”
Section: Table 5: Types Of Laughter Episodes and Their Functions In Bmentioning
confidence: 99%
“…In some countries any use of laughter may be deemed inappropriate for the lecture theatre. Zhang (2005), for example, cites a large body of US research to show that instructors' use of humour reduces students' anxiety, boosts learning, and increases willingness to participate, but also finds in a survey of 176 undergraduates in central China that 'perceived instructor humour orientation' exacerbates students' fear of participating in class. Zhang concludes that humour makes Chinese students feel uncomfortable, because it 'highlights individual attention and deviation from the group'.…”
Section: Table 5: Types Of Laughter Episodes and Their Functions In Bmentioning
confidence: 99%
“…I agree that the evidence I used to support this hypothesis, from Flowerdew, Li, andMiller (1998) andZhang (2005), related only to cases where speakers of the same first language interacted with each other. Since then Alsop (2013) has compared instances of humour (as opposed to laughter) across three subsets of the Engineering Lecture Corpus (ELC), two from L1 settings in the UK and New Zealand, and one from an L2 setting in Malaysia.…”
mentioning
confidence: 63%
“…Humor themes that are aggressive toward or denigrate anyone perceived to be different to the target audience in some way (i.e., outgroup: Leach, Spears, Branscombe, & Doosje, 2003) tend to elicit schadenfreude (joy in the misfortunes of others) and greater perceptions of humor among audiences in individualist cultures (e.g., United States). In contrast, aggressive humor directed at the outgroup draws attention away from the ingroup, prompting feelings of anxiety among collectivist cultures while aggression directed at the ingroup is seen as an attack (e.g., China: Zhang, 2005). Thus, aggressive humor in advertising is likely to be less common or gain more negative responses in collectivist cultures.…”
Section: Content Of Humormentioning
confidence: 80%